Vibration names of chakras with focus on them, is having now more sense. It is all about focus, when you are focusing on third eye the visualization should not be the mine focus, same with other chakras. But instead of visualization try to feel chakras. This will bild up life force in place on where you are focusing. This is how l made my third eye constantly active.
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From: "Fleur De Lis fleurde.lis@... [JoyofSatan666]" <
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Date: 22/09/2017 01:08 (GMT+01:00)
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Subject: [JoyofSatan666] Vibration
2.3 The mysteries of the larynx
One finds in the Sanskrit literature some surprising stories about the voice. The rishis, or seer-sages of ancient India, were said to have many extraordinary abilities called siddhis. One of them was
the vac-siddhi (vac = voice), by which whatever the rishi said would come true. Sometimes just by uttering a word, a rishi could materialise a whole army and change the course of history. It followed that the spoken word was regarded as sacred and unalterable, which was not without its problems at times.
For instance in the Mahābhārata, the longest poem in the recorded history of humankind, the five Pāṇava brothers attend a tournament where one of them gains the most beautiful princess
as a wife. Returning home, the brothers announce to their mother,
the virtuous Kunti, “We have brought back a treasure.”
Then rather unfortunately the mother exclaims, “Good, let it be shared between the five of you,” after which the princess has to become the wife of the five men, taking turns with each, and
supposedly without being partial to any of them.
The creative power of the voice is clearly expressed in Sanskrit, where vac, voice, is often regarded as a synonym for śakti, which is the creative energy, the power of manifestation. In various trends of ancient Greek philosophy one finds a similar concept in the logos. The primary meaning of logos is ‘word’, but it also
means creative principle. Later, in the gospel of John (originally written in Greek), it is also the term logos which is used to characterise the creative principle by which the creation was
manifested: “In the beginning was the logos (Word), and the logos was with God, and the logos was God.” (John 2:1)
Note that the first book of the Old Testament also presents a picture in which, at various stages of the genesis of the world, God uses the power
of the Word to create:
“And God said, Let there be light: and there was light.” (Genesis 1:3)
“And God said, Let there be a firmament
in the midst of the waters, and let it divide the waters from the waters.” (Genesis 1:6)
“And God said, Let the earth bring forth the living creature...” (Genesis 1:24),
In the beginning was the Word, and the Word was with God, and the Word was God. John 1:1
And he had in his right hand seven stars: and out of his mouth went a sharp two-edged sword. Revelation 1:16
In my epic novel, Atlantean Secrets, you will find startling descriptions of the mysterious power of the voice cultivated by Atlantean initiates, through which they could influence nature, perform healings, and accomplish a whole range of miraculous feats.
Rudolf Steiner in his teachings has also left many indications related to the power of the voice. An aspect he has particularly developed is the polarity between voice and generative organs, for which he describes many consequences as far as the evolution of
humankind is concerned.
Apart from Steiner's indications, certain simple facts show that there is a connection between the voice (and therefore the larynx) and sexual energy. For instance, it is when the sexual organs develop, at puberty, that the male voice changes pitch, due to the action of the male hormone testosterone. In women, alterations of the voice can also be observed following menopause.
In astrology, the voice organ is related to the sign of Taurus and the sexual organs to Scorpio. The polarity between the sexual organs and the larynx is indicated by the opposition between the two signs.
Taurus is ruled by Venus, Scorpio by Mars. Venus and Mars form a couple, with dialectically opposed functions.
Taurus-Scorpio axis on the zodiac
Another connection between voice and organs of generation can be
found in ancient Hebrew, where one of the words for voice is yediah, coming from the root yadah, meaning to know. And it is certainly no coincidence that the biblical way of referring to
sexual intercourse is yadah, to know. For instance: “And Adam knew Eve his wife; and she conceived, and bore Cain...” (Genesis 4:1)
In acupuncture the point qi chong (Stomach 30), located on the side
of the pubic bone, has among its symptoms: sore throat after sexual intercourse. One can find several other connections in traditional Chinese medicine between sexual energy and throat. For instance, among the organs it is the kidney that is said to be the
storehouse of sexual energy. And in the throat one finds the tonsils, which also have the shape of a kidney.
When there is a release of ‘fire’ by the kidney, it may result in an inflammation
of the pharynx (pharyngitis) or of the tonsils (tonsillitis).
But let us return to Steiner and look at his views on the future of the voice organ. Steiner considered that in the trend of human evolution, the importance of certain body parts is slowly waning
while some other organs will play a more and more essential role in the future. The sexual organs belong to the first category, while the larynx definitely belongs to the second.
Steiner has often mentioned that around the middle of Lemuria (the epoch that preceded Atlantis), a critical event took place in the occult history of humankind. Until then the libido of human beings was still directed entirely towards procreation, so that each human being was able to generate offspring of its own. In other words we were all hermaphrodites. One single being could give birth to another being without having to be fecundated by anyone.
Note that the concept of primordial human beings as hermaphrodites is found not only in Steiner but also in several myths of various traditions.
Then Steiner describes how, in the middle of cataclysmic alterations of planet Earth, human beings lost half their procreative energy. They stopped being hermaphrodites: the sexes
were separated. Each human being retained only half of the procreative energy and from then on had to find someone of the other sex in order to have a child. What happened to the other half of the procreative energy, the one that was no longer available for procreation?
According to Steiner, it was redirected
towards a different function: catching the Ego, or Higher Self.
Until then human beings had been living like blobs, completely disconnected from their Ego. And it was by the redirection of half of their sexual force that they established the beginning of a
connection with the Ego. They became spiritual beings.
Such a vision suggests quite an interesting way of looking at the relation between sexual energy and spirituality, and at sexuality in general. For example it presents the sexual instinct as a quest for the ‘lost half’. And at the same time it suggests that the lost half is not ultimately to be found outside, in a union with another being, but in a full communion with one's own Spirit. It also
suggests that the sexual energy and the energy that allows us to connect with the Spirit are of fundamentally the same nature, and that the latter is nothing other than a refined and redirected
form of the former.
This conception fits quite well with the
Taoist systems of inner alchemy, in which one works at refining and transmuting the sexual energy in order to generate the embryo of immortality, the subtle body in which the fullness of
the Higher Self can be experienced permanently.
But let us return to the voice. Steiner describes how, after human beings had half of their sexual energy redirected (around the middle of the Lemurian epoch), some new organs appeared in the human body. The larynx was one of them. This establishes a direct
connection between the transformed and spiritualised sexual energy and the larynx: as long as the hermaphrodite's sexual energy was 100% directed towards procreation, the larynx could
not appear. Once part of the sexual energy was refined in order to
start ‘catching’ the Spirit, the larynx started to develop.
Now, if we try to understand the present function of our larynx, we see that through the voice we express our thoughts and our emotions, which is a way of giving them a more defined form.
Assoon as you start practising the exercises given in the first chapters of this book, you will realize that the throat friction makes the third eye more tangible, as if shaping it. You will tune
into your third eye, and as soon as you start implementing thethroat friction, the third eye will immediately be perceived moreclearly and more intensely.
Steiner predicts that in the future of humankind, the larynx'scapacity to give form will become extreme, and the creative power of the word will manifest even in the physical plane: just by
saying a word, the corresponding object will be materialised.
Even though staggering if one measures its implications, this concept is
after all no different from the vac-siddhi or creative power of the word which, according to the Sanskrit texts, the ancient Indian rishis had mastered. This suggests that human beings are gradually gaining the capacity to create, similar to that of the Elohim in the
Old Testament.
In other words it presents human beings as creative gods in the making – a theme that runs through the whole of the western esoteric tradition, starting in Genesis when, Adam having
eaten of the tree of knowledge, the Elohim exclaim: “Behold, the man is become as one of us.” (Genesis 3:22)
All these considerations on the larynx lead one to think that there may be some symbolic meaning behind the fable that Adam's apple was the piece of the fruit of the tree of knowledge that remained stuck in his throat.
Interestingly, Steiner foresaw a crucial step in the long-term evolution of the larynx: the sexual force having been completely transmuted, the procreative function will no longer be implemented from the sexual organs but from the larynx.
Human beings will then have gained the capacity to speak their children out.
Another of Steiner's visions which is quite consistent with several other sources of the western esoteric tradition, is that with the final transmutation of the sexual energy into the creative power
of the voice will come the end of death: physical immortality.
The end of the sexual organs means the end of the separation of human
beings into two sexes. In the gospel of Philip, one of the most exciting of the Gnostic gospels, it is unequivocally stated that if ‘the woman’ had not been separated from ‘the man’, she would not
have to die with ‘the man’, and it is the separation of the sexes that caused the beginning of death.
The same text further indicates that as long as Eve was in Adam, there was no death. It is when she was separated from Adam that death began. If ‘the man’
becomes whole again, it will be the end of death.
This can be put in parallel with the gospel of Thomas, in which
Jesus tells his disciples that it is by making the two one that they will become the sons of man, and move mountains by saying,
“Mountain, move!”
Then the ‘lost Word’, on which the Masonic tradition is based, will
have been recovered, and the Temple rebuilt forever.
The alchemists often defined their art as a way of speeding up the natural processes of evolution of nature. For instance they considered that all the metals were on their way to becoming gold, and that by transmuting base metals into gold one does nothing
other than achieve within a short time what nature would otherwise take a long time to accomplish. I will have several
occasions in this book and others of the Clairvision Corpus to come back to the inner significance of the gold of the alchemists.
According to them, their gold was ‘no common gold’. At this stage we could use this concept of ‘speeding up’ to define inner alchemy:
inner alchemy aims at achieving now, transformations that humankind will only complete much later in its natural course of evolution.
The throat friction is designed to achieve an alchemicaltransformation of the larynx and start tapping from its creative
power. In particular, in the Clairvision style of inner alchemy the larynx is used extensively to give shape and to ‘densify’ various structures of the body of energy, as you will start experiencing with the practices of Chapter 3.
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