Operational Alchemy [GRECO ROMAN SORCERY]

[Racid666]

I was building the first comprehensive Alchemy O.S. (for Windows / MAC / iPhone-iPad) which facilitates Operational Alchemy - the Art of bringing into a perfected Material Reality the spiritual contents of TOTEMS. (TOTEMS, the focus of O.A., are described below; a mixture of a SIGIL, REALM SHAPE / YANTRA, & the Mantras attributed to it)

Operational Alchemy is a System & Method to navigate the matters of SCIENCE, GOALS & ARTS ... as 1 VIRTUE – both as a mystical practice (journaling, totem-works, astral scrying) & as an account of real-world Industry in the Cultivation of Entelechy –(fabric of potentials to become actual) as represented by ‘Metal Cells’.

It's a creative design framework to subjugate ALL ART FORMS into 1 common apparatus - economic, political, theatrical etc.- ALL ARTS necessitated by Stage 3/7 Separate –precluding a Thing’s / Context’s FINAL STATE known as (ᗢ … ) ‘Asha’ & its material counterpart - ‘Asha Vahishta’ ( … ).

“Symbols of Alchemists will be found (as) both

useful & instructive.” – Agrippa

The Legend below contains the Symbols used to operate the Gates of Power –documented as a Journal of Asha ... EMOJIS are used to stamp & establish processes, styles of interpretation, ‘lenses’, Modes of Creation, Arrogations of Ideas-Methods.
​

Terms & Definitions []​

⚗ - Alchemy: the art perfecting the metals of soul.

-Aes cyprium / copper: metal rank of the metal hierarchy.

• ▴ - Calcination: the act of reducing metals & minerals to a fine powder.
• - Distillation: liquid 1st boiled to vapor then condensed back into liquid by cooling.
• - Putrefy: rot to a liquid state.
• - Quicksilver corresponds to the element mercury.
• - Quintessence: the fifth or heavenly element; Ether.
• / | ⛩ | - Zodiacal Transmutation: employing planetary magick to influence the formation of Asha / Totem Arts / Totemic Labs (physical, situational) / ‘playing fields.
• - Refluxed: redistilling liquids without collection.
• - Sublimation: acts of heating substances until vaporization.
• - Tincture: a process that tints (changes the color) of something.
• ☿ Mercury –Spirit & Mind
• Sulfur –Active Force & Will
• Salt –Body & Foundation
• - Numerology: where mathematics is regarded as convergent with an implicit Natural Philosophy basing itself upon Pythagorean Proportion / Hellenistic Rhythm.

- Cosmogenesis: process of origination / evolution of a totem / universe whose transcendental process is shaped like a Tetractys.

𒈨𒌍 - "Me": a Totem’s code used to regulate reality by ordering processes of Totem Arts as energic functions gearing syntactic transmutations willed as an Orbital Microcosm –events, metals, & forms "echoed" across a Totem’s channel as it exists simultaneously as both potential & actualized states.

𒆠𒋛𒊭𒂗𒉡 - "Kispu": rituals involve invoking ancestral resonance of the past, present, & the future as a superconscious imprint transmuting experience into wisdom.

4 Indicators to discover inner nature.

☧ - Chiromancy: the nature of a person’s hands & feet

↕ - Physiognomics: concerning an observed head / face.

- Substantia: the shape of the body

- Inherited Customs & Usage: the observable mannerisms & gestures.
​

• - - Orbital Microcosm – refers to Nodes of Morphic Vision; Habitual Vortex of a Thing’s ACTIONS, ENERGIES & cumulative MEMORIES patterning as an AKASHIC RECORD of a Totem’s microcosm of events revolving around the Final Cause(s) it signifies throughout Manifesting Dynamics / ‘Entelechy’. ( THOUGHT TO EMIT FROM SGR*A)
• )- ᗢ … - ASHA – refers to a Totem’s Final Cause as realized in a Superconscious morphic / ‘akashic’ channel.
• )- * … - ASHA VAHISHTA - refers to a Totem’s Final Cause that becomes realized in Objective reality –successfully involved by a Totem’s Manifesting Dynamics. (‘Entelechy’)
• ᗢ- Entelechy / Soul / Manifesting Dynamics’ – refer to a (gnostic) Trinity ...
• Gnostic Trinity: trifold SOUL as ENERGY-MEMORY Patterning (paired /w formative causation).
• Embodied Soul ( physical + energy-memory)
• Disembodied Soul (ᗢ transcendent + energy-memory)
• Separable Soul (switchable states ‘tween physical & transcendental)// ᗢ
• GATE of POWER / TOTEM- refers to a super consciousness doorway which is the means of a Totem.
• TOTEM – a contemporary type of Western Yantra whose corresponding Realm Shape is stamped with an initiatory sigil as a BINDU (I use sigilscribe.me / A.O. Spare’s Sigil Method ... ) ... The geometric frame is determined by its assignment to numbers [1] to [9]. (i.e. [6] realm of lust = [cube ] & [3 ▲] = Realm of darkness, endurance, vampirism = [triangle] ) Note: While A.O. Spare’s Sigil Method instructs a onetime use & forget SIGIL / METHOD (motivated by ‘purposeful forgetting’) ... Totems - contrarily - are used for an initiatory superconscious interfacing between both ▴ practical & ▼ ceremonial works (a 2 phase process called ‘Solve Et Coagula’). The Sigil held in a Realm Shape forms a Yantric Bindu for Single Pointed Meditation; ▴ (-). Purpose of a Gate of Power (a ritually charged / cultivated TOTEM) is to cultivate ᗢ ENTELECHY (‘manifesting dynamics’ )that’s responsible for a TOTEM’s ASHA VAHISHTA * …
• TOTEM / (▲ ▼ ◭ ⧩ ) TOTEM ARTS: distinguished Art Forms ordered via a Totem’s / O.A.’s Stage 3/7 Separate as superconsciously inferred categories ▲ ▼ ◭ ⧩ (Fire, Water, Air, Earth – plus (optional) extension – ‘Ecosystem Table’ ) these categories become gradually realized by ▼ (+/-/) (stage 2/7 ‘distillation’ – ‘Astral Scrying’ Totems )
• TOTEM/ ◭ (‘bija’) SECRET MANTRA: Every TOTEM (SIGIL encapsulated by a REALM SHAPE) emits a SEED/’BIJA’ MANTRA ... this form of Mantra is a central element in Tantric practice – & beholds its adaptation in the commercial Transcendental Meditation (TM) technique. Secret Mantra is a Primordial SOUND received by a Teaching Source –a discovery made through ▼ (). By FOCUSING on a Totem’s unique MANTRA as a FOCI / 1-POINT of FOCUS as a constantly imagined LOOPED SOUND WAVE / sound Collage linked to one’s cyclical breathing... CONJURES a Totem (Sigil-Yantra Shape floating across vision – AKIN to a KIND of automatic ‘hallucination’ visualization in one’s faculty) SEAMLESSLY – both ETHERICAL (among open eyes –▴ (+) or ASTRAL ... ▼ () (among closed eyes - an Astral Projection Flow State’ )
• SECRET MANTRAS are used to conjure TOTEMS as Gateways / Nodes into different levels of ‘acausal’ reality. ( as ▴ or ▼) ▴ (+)relates to MUNDANE / TROUBLESOME striving (‘Pathei Mathos’ ) ... – through SECRET MANTRA we engage Practical Zen (operating pragmatically in Flow State) without being bothered by a matter of willpower; Secret Mantra avoids a kind of ‘schizotypal’ (Magician’s Stupor /of ‘Choronzon’) revisualization of TOTEMS as visual FOCI. Secret Mantras can be used as an effective Single Pointed Meditation ▴ (-). By recalling a TOTEM episode of Mundane / Troublesome Reality – your STRIVING –is to then involve a plane of ‘morphic energy’ into LABS / contexts as ‘ENTELECHY’ (fabric of manifesting dynamics) into the world.
• In the terms of COGNITIVE PSYCHOLOGY – it’s thought that IMAGINING TOTEMS () acts as a PSYCHOLOGICAL ANCHOR / MENTAL-ENERGETIC FILING CABINET.
• / / ꔵ Eutaxiology: (from Greek ‘Eu’ – good, & ‘Tax’ – order) is a philosophical study of order & design. The study of SUPREME ORDER / ‘ASHA’ ( ᗢ … ) In G-R Sorcery, / / ꔵ regards discovering how to best “organize” idea-methods into coherent, harmonious structures.
• Key Question: How does a structure-pattern of a thing organize harmoniously?
• ꔵ Teleology: philosophical concept that things have inherent purposes / goals. In G-R Sorcery, teleological thinking underpins the notion that each Gate of Power & its Totem, pertains to a particular “Final Cause.” (a GATE / NODE to the Akashic Plane / Morphic Realm / Platonic Realm of Ideal Forms which contains the revelations (metals’) needed for the realization of Asha Vahishta. … )
• Key Question: Why does this thing move / develop toward a particular end / goal?
• (+ / - ) Cybernetics: Study of control, communication, & feedback in machine, organism, & organizational systems. Example: Biological Homeostasis (body temperature, blood sugar regulation) or social system checks & balances). Cybernetic approach sees info exchange as critical to how systems process signal (in / - ) & adjust behavior (out / +).
• ( - ) Negative Feedback: self-correcting mechanism stabilizes a system
• ( + ) Positive Feedback: self-reinforcing loop amplifies output (e.g., compound interest in finance).
• Egregore: ️ when a party-locality shares a common entelechy whose Y.M / M-Dev can be as a metallic substrate … gradually shifted by Totem Arts – where red stone is exceeding influential state shifting the entelechy of an egregore’s members beyond party / locality. Routes of shifting an egregore are through religious deity, corporatism, political ideology, & spreading mythos. Neglecting an egregore dissolves it – while interacting with an egregore can bring guidance, power, inspiration. A totem’s conjuration is meant to create periodic influx of Morphic energy into an egregore’s mundane-social context.

Journal of Asha TABLE []​

For managing a Magi’s (magician, politician, fine artist) Journal of Asha, use Microsoft Word – Headers 1, 2 & 3 as divisors tween sections.

Annual Intro (1 year – divis. quarterly / as the 4 seasons)

General Advent (General purpose area )​

Then - () [1] – [9] Gates of Power

Gate of Power [R1] [] (Realm 1’) (Metal Grade’) ()

Gate of Power TOTEM (sigil in realm shape)

Exoterica Quarterly Objectives

Exoterica Task List​

O.A. PART I. (recursive loop – feeds outputs to part II.)​

Stage I ▴Calcinate (+/-)

(▴ (+ ) as Pathei Mathos / Mundane or Troublesome Striving

▴ ( - ) as Single Pointed Meditation upon Bindu or SECRET MANTRA of a Totem ... to deposit Fabric of Suffering. )

Stage II▼Dissolution

Astral Project the Symbol

as​

▼ (+) Replay acquired Prima Materia / Mental Recording

II. ▼ (-) Replay Prima Materia / Mental Recording visualized evolved course of events

III. ▼( ) Explore the morphic node / superconscious territory the Totem / Memory leads to.​

Then document the experience in your Journal of Asha’s in the Gate of Power’s Stage II. Section.

Stage III Separate​

Stage III Separate contain / discover/ declare the TOTEM ARTS (Eutaxiology’ aggregating Art Forms categorized by previous stage - Dissolution. ▼( + / - / ) (i.e. –create diverse categories of Art Forms by superconscious distinctions between ART FORMS after Solve et Coagula - [▴ (+), ▴ (-), ▼( + / - /)] ...

Separate ‘metallic’ cells (as units of Entelechy (soul as energy-memory after ▴ (+),

▴ (-)of PRIMA MATERIA by

Character Type (Physical), ᗢ (Transcendental).

In Super Categories ▲ (Fire), ▼ (Water), ◭ 🏔 (Earth), ⧩🌬 (Air).

FIRE ▲ : Art of (x), Art of (x), . . .

i.e. ▲ – idea-method

WATER ▼:

AIR ◭:

EARTH ⧩:​

ALCHEMIST LAB-OPERATION EQUIPMENT


FIRE▲:

Item Name: [price], [purpose]

WATER ▼:

AIR ◭:

EARTH ⧩:

Each LAB invested into - whose money pool is raised by Value Investment.

Stage IV Conjunct​

Conjunct acquired Lead Cells unto Higher Metals by the means of Alchemica notation describing how they've evolved processing experiences of the posterior ... metal cells & their conjunctions represent a morphic (energy-memory) currency

Metallic Cells symbolize accumulated experience in various states ...

Every Metal Cell comes from EARTH CRUST (prima materia) - materia to be rinsed & washed i. ▴ (+), (+) ▴ (-) (-) ... then distilled ....

ii. (-) ▼( + / - / ) ... = ( Lead (Plain simplicity; isn't shiny)

O.A. PART II.
Stage V - Fermentation
Input accumulated Lead (-), (-),(-) Cells & package together as Integrated Selves through Trial-Tribulation to forge ⚙(+) Iron

e.g. [6] DATING based TOTEM ....

SitLab.napa_first = Situational Lab – Napa, First st.

WMW = Walking Meeting Women

MIG = Mastering Inner Game​

SitLab.napa_first (◭/ ( [WMW] (-) x4 )

+

SitLab.napa_first (⚗ ( [MIG] (-) x4 ) = ⚙(+)


Stage VI - Distillation ⚗

Boil IRON ⚙(-) into condensed order purified into a transpersonal individual+collective metal from contemplation, ritual & meditation... creates copper (+)

Stage VII - Coagulation

Evolve metallic substance into self-aware solid state of no duality.

Gate of Power TABLE []​

Gate of Power

Initiation-based Statement of Intent – forms BASIS of a Totem’s ‘Final Cause’ () – the ‘Why?’ that the TOTEM signifies, carries out & makes as a DOORWAY into a THING / OBJECT as a NODE into the Akashic Field by function of SIGIL & REALM SHAPE / 2-D Boundary. )

Gate of Power TOTEM (Sigil placed (‘Bindu’) in Yantric Shape –initial SIGIL SHAPE obtained from website sigilscribe.me – else –learn the technique A.O. Spare’s ‘Sigil Theory’. There is a FUNCTIONAL DIFFERENCE between a Totemic Sigil (encapsulated by Realm Shape) & A.O. Spare’s Sigil; a Totemic Statement of Intent is written in Present Perfect ... & reflects a medium-term – Initiation based on a desired achievement of outcomes capable of manifesting unto the material plane– as foreseen as the Totem’s Final State. – replicate Sigil PEN+PAPER / CANVAS & redraw as sigilscribe.me presents it –AUTOMATIC contour draw the Stick Figure Glyph ... intuitively translate & express the Sigil as an Archetypal Form.)

Gate of Power Realm [X] (1-9) (archetypal details obtained from Super Categories listed in books Liber 777 / Skinner’s Magicians Table (magickal’ correspondence tables )

Yantra Shape: [ X ] (i.e. – 3 = Pyramid (Pain), 6 = Cube (Lust), 5 (of Warriors - the Pentagon)
​

METAL HIERARCHY TABLE []​

PRIMA MATERIA = (Ubiquitous starting point / starting material of a Totem’s Great Work as materia ... regards ‘Entelechy’ ... primarily as a form of - * (psychic) Mental Recordings

Or if an Artist – a (digital) recording ... such as that of a musician’s free-playing )

Lowest Luster - Lead: (Plain circle for simplicity; lead isn't shiny)

Iron: ⚙ (Gear for industrial use)

Copper: (Orange circle)

Bronze: 🛡 (Historical weapons/armor)

Silver: (Silver medal)

Platinum: (CD for reflective quality)

Highest Luster - Gold: (Gold medal)​

Operational Alchemy TABLE []​

𒈨𒌍 – (O.M.) Me:

- - (Sigil Node –) Orbital Microcosm:

- Numerology:

3 Principles of the Elements

Mercury (☿) Sulfur () Salt ()

⊢ ▲ ▼/ ◭ ⧩ - The Elements - / Fire Water 🌬 Air 🏔 Earth /

( - 👁⨻ / )- * physical / ᗢ…transcendental character.

/O.A. – The 7 Stages -

▴Calcinate (+/-) ▼Dissolution (+/-/)

Separate (▲ ▼ ◭ ⧩ ) Conjunct⛧ (▲ ▼ /◭ ⧩ )

Ferment ⚗Distill⛧°。 ⋆༺♱༻⋆。 °⛧

Coagulate ◄ ▲ ▼ ► ◣ ◥ ◤ ◢ ◂ ▴) ​

REALM [1] – [9] TABLE []​

[1] – [shape = • point / Dot] [leadership] [Union with God] [Great Work]

[2] – [shape = │ ┃ ╽ Line][Devotion] [a Union -Face 2 Face]

[3] – [shape = △ Triangle] [endurance] [master by silent sorrow]

[4] – [shape = Square] – [Obedience of the Elements] [Nature Love]

[5] – [shape = ⬠ Pentagon] [Soldiers] [Lords of Energy] [Vision of Power]

[6] – [shape = Cube [lust] [Self-Sacrifice] [in the Harmony of Things]

[7] –[shape = ✴ Heptangle ] [companionship] [Unselfish Triumphs]

[8] – [shape = ❂ Octogram [mercantile trade] [Lords of Truth & Splendor]

[9] – [shape = Enneagram] – [Independence], [Draconic Machinery]

Ecosystem TABLE []​

(Ecosystem Categories categorize archetypal aspects of Nature’s Manifesting Dynamics–the middle-text represents step-works of formative causation – this table is an optional extension to the primary 4 Elements – “▲ ▼/ ◭ ⧩” the 4 Art Types central to STAGE III. – Ecosystem Categories aim to establish “Elemental” sub-categories sorting idea-methods & their real-world analogs.)​

Botany Herbalism

Study it like a plant for medicine, dyeing, flavoring; prepare potions & salves.

Pharmacology, Herbal Medicine

Alchemy

⚗

Transmutation of materials; purification & refinement; creation of tinctures & elixirs.

Chemistry, Metallurgy

Optics

👁

Experiment lens, mirror light vision magnification, illusions.

Physics of Optics, Astronomy

Mineral & Metal

⛏⚙

Study stone, stone-metal, & properties; practical methods - refining & alloying.

Materials Science, Metallurgy

Mechanics

⚙

Invent & machine; apply mechanical principles in practical contexts.

Engineering, Robotics

Hydraulics & Pneumatics

Movement & use of water - air in fountains, pumps, devices.

Fluid Dynamics, Mechanical Engineering

Zoology

Observation as an animal, behaviors, use of totem arts as medicine.

Zoology, Veterinary Medicine

Cosmetics Beauty

Recipe & technique for enhancing appearance, perfume, treatments.

Dermatology, Cosmetics Industry

Pyrotechnics

Use fire & reaction to create fireworks & display.

Chemistry, Entertainment Technology

Agriculture

Improvement in farming techniques, grafting, & plant breeding.

Agricultural Science

Illusion Tricks

Stagecraft & mechanical tricks for entertainment & deception.

The Magicianly, Special Effects

Horticulture

Cultivation & propagation of fruit trees & ornamental plants.

Botany, Landscaping

Physiognomy Divination

Interpretate natural signs, faces, shapes for insights into personality & fate. I. ☧ - Chiromancy: nature of a person’s hands & feet II. ↕ - Physiognomics: the observed head / face. III. - Substantia: shape of a body IV. - Inherited Customs & Usage: observable mannerisms & gestures.

Psychology, Astrology

Symbolic Logic TABLE []​

(SYMBOLIC LOGIC used to operate O. Alchemy to track, plot & evolve by Posteriority & Resonance - METALLIC SUBSTRATE / METAL CELLS RANKED by the Metal Hierarchy.)

¬: Negation (not)

∧: Conjunction (and)

∨: Disjunction (or)

→: Implication (if-then)

↔: Biconditional (if and only if)

**Quantifiers:**

∀: Universal quantifier (for all)

∃: Existential quantifier (there exists)

**Logical Symbols:**

⊢: Entailment (derives or proves)

⊥: Contradiction (falsehood)

⊤: Tautology (truth)

∴: Therefore (conclusion)

**Mathematical Symbols:**

+: Addition

×: Multiplication

=: Equality

Σ: Summation

∫: Integral

Aristotelian Dynamics​

Entelechy regards a fabric of potential that is to become actualized – whose actualization is represented by the metal cell grades to signify staged evolution toward Telos – the Totemic Final State. (as pre-ordained by Statement of Intent à Sigil)

Alchemy refers to the process of bringing things from a lower state (lead / ‘simple forms’) into perfected, actualized states (gold – fully realized materially) ... by a process of aligning the virtues of the Tripartite Soul featured unto the Elements.​

Aristotle’s 4 causes regard why things exist & why they change.

Material Cause: base matter (Prima Materia) that’ll be transformed.

() Formal Cause: structures / designs determining what something becomes.

() Efficient Cause: processes-forces (heat-efforts-intentions) applied to forms for transformation.

(☿) Final Cause: intended purpose (‘Statement of Intent’) reaching perfect states (Asha Vahishta).

Final Causes conjure forth the Seed –watered by ▴à ▼ Solve et Coagula –revealing an emergent level of a Final State ... foretelling the mechanics of Asha’s virtues (superconscious-pleromatic) by the trifold order; (via ▼ (+/-/) –inputs of energic & dense Physical-Situational Labs commission as Pathei Mathos ( (+) (+) (+) ) (knowledge / culture thru suffering) ... whose (+) accumulated suffering incurs unto itself as a transformative currency; ( (-) (-) (-) ) then unified by O.A as a eutaxiological structure. (via (▲ ▼ ◭ ⧩ )

The idea that Matter & Form are intertwined is called Hylomorphism .... where virtue regards resonance; a level of manifesting the Will of an Archetypal Field of Entelechy.

1st stage - Form, Aristotle believed, was to be found in the 4 elements: Earth, Air, Fire, & Water. (Via stage 3 separate – where idea-methods are assorted into their characteristic categories as the ‘TOTEM ARTS’. Astrology aids plotting such LABS of the Totem Work ... in accord with the principle; ‘as above, so below’ –Totem Work corresponds to a harmonious, ordered system; the Universal Spirit ... which if compressed – forms Gold & Red Stone.

The Alchemist’s mission then is the perfection of both a Soul & the World ... under a driving force which strives toward Asha’s Concord.

The O.A. Operations separate given bodies of work & cultivates Totemic Clothes of Nature –as is an Ecosystem’s Creation; foremost, as; A. Calcinate-Purify & B. Mercury- Purify.
​

The 8 Rules​

1) Be reserved & silent.

2) Devise O.A. in a private environment.

3) Plot O.A. hours carefully.

4) Be patient, attentive, & determined.

5) Work on O.A. as a modicum of fixed, daily plans.

6) Use O.A. to become wealthy enough to pay for more experiments.

7) Do not aspire to be amidst princes & nobles.
​

The History of Alchemy​

Akkadian Alchemy​

– 2,300 B.C.E proto-alchemy - 1st System of Embodied Transformation

Akkadian Alchemy = Spiritual System

▴ Sulphur (Ṣulpu) = Invisible Fire

🜂 Sigils = Resonance Activation

SGR*A = Cosmic Totem Archive

Final Goal = Archetypal Coagulation (Red Stone = ASHA)

Akkadian Alchemy, flourishing around 2300 B.C.E., stands as the 1st formal system of alchemical operation.

More than technique, it was a methodology, a way of organizing acts to:

🜂 Transform matter & meaning

🜄 Embody soul within a substance

🜁 Manipulate the physical & the semi-physical planes

Each act was performed in alignment with divine cosmoi—instilling Cosmic Order upon the Earth. Through rite & arrangement, the alchemist did not just work with matter but re-wrote the structure of reality in accord with divine decree.

Divination – to receive omens & encode meaning into matter

Purification – removal of impurity to prepare vessels (both body & object)

Embodiment of Semi-Physical Soul – animation of statues, ritual objects, sacred sites with living presence via incantation & geometrized will

This early model of alchemy saw no division between magic, science, & politics—all were extensions of cosmological law. To alter matter was to participate in the circuitry of the universe.

🏛 Key Pillars

𒄭𒀀𒂅 Napṭaru (Purify & Refine) → ▴

Fire seen as purifier of metal souls—refining vessels into power-conducting forms.

𒄭𒁇𒄠 Id pû (Dissolve & Mix) → ▼

Liquid transformations aligned ASHA’s Waters & Tiamat’s Primordial Ocean—essence held in A* could be restructured through flow.

𒀭𒌷𒁇𒄭𒀀 Anu-kibitum (Celestial Ordering) →

Each metal grade corresponds to a celestial deity—refinement enabled practitioners to harmonize intelligence.

𒋼𒀭𒁇𒈾 Ziggurat Metallurgy (Divine Coagulation) →

Elemental fusion occurred at ziggurats—sacred temples where matter was mixed ritually, forming spiritual composites known as ASHA’s spirits.

The Akkadian "Me" (𒈨𒌍)

In ancient Akkadian cosmology, the “Me” (𒈨𒌍) were sacred laws—blueprints governing functions of reality. Upon the metaphysics of O.A., Me is understood as a manifestation of the SGR*A Supercomputer—which is a Database of Totems, storing energetic pathways, resonance, & transmutational logic.

Each Me serves as a resonant key—as a code that regulates:

Energetic Function

Metal Essence

Situational Transmutation

Personal Destiny

A Totem’s functions become willed through Orbital Microcosm, where a soul's correspondences shape not only events but the arrangements of memory & matter.

Thus, Me becomes a language by which:

Events, metals, forms, & beings are “echoed” across multiple channels

Potential & Actual states coexist within a same Totemic signal

The structure of a thing is always both as-is & as-could-be—defined by resonance it holds in ASHA's morphogenetic Field.

The practitioner who intones a Secret Mantra aligned to Me activates these codes—not as symbols but as architectures of reality.

🜂 Me is the microcosmic mirror of —projected forms echoed into a soul.

𒂗𒌦𒀀𒆠𒈠 𒉈𒂠

Enuma Elish’s Seed / The Primordial Seed of Supreme Order

In the deepest stratum of Akkadian Alchemy, the final transmutation was known as:

“Enuma Elish’s Seed” — written in cuneiform as 𒂗𒌦𒀀𒆠𒈠 𒉈𒂠

It translates directly to:

🜂 “Primordial Seed of Supreme Order”

This seed was believed to be the core crystallization of ASHA, the perfected state in which chaos is encoded into cosmos, & where practitioners:

Ascend from form to waveform

Become a vessel of divine harmonic structure

Operates as a living glyph of intelligence

Rooted in the Enuma Elish (the Akkadian Creation Epic), this Seed symbolized:

The return to source-order

The planting of future realities

The attainment of immortality through form-as-pattern

In GR-S metaphysics, this Seed becomes the symbolic Totem of Coagulation—the final form which unifies all 7 alchemical stages into a single resonant waveform. It is the Totem-as-God-Seed, a carrier of infinite potential echoing through A*.



Enuma Elish’s Seed (𒂗𒌦𒀀𒆠𒈠 𒉈𒂠)

= Final Transmutation

= Seed of Supreme Order

= Totemic crystallization of ASHA

🜂 From chaos was the Seed drawn, & by that Seed was cosmos made.

Akkadian Takeaways

Spiritual Transmutation over Physical Metallurgy

→ Alchemy was not mere metallurgy—it was a process of spiritual & cosmic realignment. Matter was the mirror of heaven, & its change signified internal metamorphosis.

Sulphur ▴ (Ṣulpu) as Hidden Fire

→ The Akkadians taught Sulphur (Ṣulpu)—invisible flame—was the animating essence behind transmutation. It must be properly cultivated via Totemic means, not merely heated in flame but awakened through resonance.

Sigil-Based Resonance Systems

→ Rituals & incantations used complex sigil systems—early forms of Totems & Yantra-Mantra arrays—to store, project, & activate resonance. These tools encoded both memory & command.

ASHA & SGR*A as Cosmic Storage Systems

→ Alchemical processes were tied to Akashic structures.

SGR*A, in this model, serves as a Cosmic Supercomputer, storing Totemic Formulations of reality. Totems are symbol-capsules encoding past-present-future morphogenetic records—blueprints for every soul, every metal, every moment.

Red Stone = Final Alignment

→ The Final Transmutation (Red Stone / Enuma Elish’s Seed) was viewed as the practitioner’s perfect alignment with the Intelligence of ASHA. It meant achieving harmony with an ultimate pattern behind all form—becoming a resonant node in the Will of Cosmos.

✴ Chaldean Alchemy​

Chaldean Alchemy, emerging around 900 B.C.E. from the Babylonian priestly caste, evolved the tradition by fusing:

✴ Astrology

Numerology

🜏 Ceremonial Magick

Together, these formed a triadic art of influence—architecture for reshaping the Material Plane by tuning into morphic fields that govern reality.

Functions of Chaldean Alchemy

Morphogenetic Engineering

→ Ceremonies designed to evoke planetary spirits to influence things & people, evolve egregores, & refine the semi-physical soul (Entelechy).

These planetary spirits served as intelligences embedded in stars & metals—a Celestial Hierarchy that responded to structures & intent.

Modulation of ASHA

→ Rituals were understood as means to propel / mitigate aspects of Formative Causation—the blueprint of ASHA—responsible for the transformation of minerals, metals, & destiny.

Chaldeans worked with ASHA not only as a source, but as a field to be shaped through ritual & code.

Numerology & Symbol Interfacing

→ Symbols & number sequences were not just abstract—they were interfaces with the energetic lattice of ASHA. Through their use, knowledge, metals, & transformation could be structured into archetypal pathways.

Theurgic Alignment

→ Chaldean alchemy was theurgic—an Art that aligns a soul with celestial order. The operator didn’t just transmute metals—they refined their soul by way of planetary engagement & ceremonial rhythm.

Dual Operation: Soul + Substance

Soul-Work → Resonance refinement through astrology, mantra, ritual

Matter-Work → Physical engagement with Prima Materia via Totemic Crafts



The Chaldeans believed the universe was a harmonized intelligible matrix—each star & metal carrying inherited morphic patterns guiding the evolution of reality.

To work alchemically was to compose with tones—blending formula, gesture, & symbol into acts of reverberating power.



The Chaldeans perceived fire not merely as a physical agent but as a spiritual expression—a gateway between the material and the divine.

This “Pyr Theion” (Divine Fire) was embodied in Sulphur—hidden inner fire of all substance, waiting to be extracted through:

🜂 Totemic Work

Structured Transmutation

🜏 Symbolic alignment & planetary timing

In GR-S, Sulphur is revealed when Totems undergo correct ritual pressure, releasing the Spiritual Fire (▴) necessary for upward phase shift.

Zodiacal Transmutation → Cosmic Order of Totems

Chaldeans asserted that neither metal nor soul could be transmuted unless properly aligned with celestial forces—especially the zodiac & planetary hierarchy.

In G-R Sorcery, this becomes the principle of Zodiacal Totemic Calibration:

Gates of Power = Archetypal Realms governing metal/mind

Totems = Charged Bio-Light Structures embedded in ASHA

Totem Evolution = Mirrors Chaldean Planetary Metal Mapping

7 Stages of Alchemy = Structurally unfolds both the Totem and the Totem Art (ritualized output of the practitioner)

“Hyle” → Prima Materia's Chaotic Energy Before Structuring

The Chaldean term “Hyle” referred to undifferentiated cosmic substance—raw energetic medium out of which all form emerges.

In GR-S, Hyle is known as the Initial State of Totemic Chaos, and is shaped through:

(+) Raw Chaos → The first energetic substance, born of Suffering and Potential

(–) Focused Meditation → Deposits raw energy into structure via Stillness

Lead = First Transmutation / Base Layer

Gold = Final State of Entelechy / Asha Vahishta (Perfected Order)

To work with Hyle is to structure chaos—transforming suffering, instinct, or creative wildness into hierarchical, alchemized force.

Chaldean Numerology & The Tetractys

Lattice of Celestial Order → Totemic Notation System

The Chaldeans pioneered numerology as divine encoding—each number holding resonance & formative causation.

This lineage informed the later Pythagorean Tetractys: a triangular structure of 10 points summing the first 4 integers (1+2+3+4 = 10), representing the harmony of the cosmos.

In Greco-Roman Sorcery, this becomes the [1]–[9] Totemic Notation System, where each number denotes:

A realm or archetype

A shape or frequency

A metallic/elemental phase

A formative mode of ASHA

Chaldean Number Attributes → GR-S Realm Shapes

Chaldean Number Attribute GR-S Totemic Realm

1 Unity / Monad [1] The Point • – Will

2 Polarity / Division [2] The Line │ – Devotion

3 Harmony / Synthesis [3] The Triangle △ – Operation

4 Foundation / Form [4] The Square ▢ – Structure

5 Life / Eros / Spiral [5] The Spiral ↻ – Dynamism

6 Balance / Beauty [6] The Hexagram ✡ – Design

7 Initiation / Mystery [7] The Heptagon ⎔ – Alchemy

8 Power / Manifestation [8] The Octagon ⯃ – Force

9 Completion / Portal [9] The Enneagon ⚙ – Coagulation

GR-S Application

Totem Notation = [#] tags identify alchemical stage, shape, & function

Totem Realm Shapes = based on numerical geometry

Metal Cell Hierarchy = organized via [1]-[9] numerical sequencing

Asha Mapping = ASHA Vahishta resonates strongest at the [9] portal-state

🗝 Number is not count—it is command. To number a Totem is to reveal its soul-function.

Chaldean Sulphur (Theion) / The Fire of the Gods

To the Chaldeans, Sulphur—called Theion—was not just a chemical principle, but a divine inner flame, a secret fire seeded into creation by the gods.

It was understood as the animating spark behind transmutation, spiritual ascent, and celestial communion.

🜂 3 Principles of Theion = Sulphur Principle (▴)

Latent divine fire

🜏 Requires invocation & alignment

Only revealed to the purified practitioner

It exists invisibly within all things

→ Theion is latent fire, present in every metal, being, or form—awaiting ignition. It is hidden Sulphur, the echo of ASHA within matter.

It must be summoned

→ Theion cannot be mined or taken. It must be called forth through:

🜏 Ritual & Invocation

✴ Astrological Timing & Planetary Correspondence

⚗ Alignment with Celestial Gates

It requires purification & alignment

→ Only those who undergo proper purification rites, align their soul-frequency, & harmonize with the cosmic hierarchy access it.

Without refinement, Theion remains inert—a flame withheld from the uninitiated.

🗝 Theion sleeps in metal, sings in fire, & awakens to the worthy.

Astral Gates & Soul Refinement

Chaldean Cosmology

Descent of the Soul: Through 7 planetary spheres, each imparting a "material cloak" or cosmic imprint.

Ascent through Gates: Upon death (or mystical practice), the soul must ascend the planetary spheres in reverse, shedding impurities.

Refinement via Sulphur & Mercury:

Sulphur = Soul’s active essence / fiery drive.

Mercury = Fluidic intelligence / adaptability of spirit.

G-R Sorcery Corollary

Each Totem represents an Alchemical Station

Realm Numbers [1]–[9] & their Realm Shapes are initiatory gates, the sigils act as “Astral Keys”.

The system upgrades Totems from Lead to Gold (and beyond), echoing the soul’s transmutation from impurity to divine essence.

Orbital Microcosm = Chaldean Emanation Logic

Orbital Microcosm maps onto Chaldean Cosmic Emanation theory:

Every Totem's sigil acts as an expression of a vibratory origin.

These forms tap into Nature’s Bank of Memory, which correlates with:

Chaldean Tablets of Destiny.

SGR*A as the Universal Superconscious serving as the black hole source of emanations.

Chaldean View

The soul descends through 7 planetary spheres, gaining traits & limitations aligned with celestial archetypes.

Incarnation is not a gift—it is a veiling.

The Path of Return is an ascent back through the spheres, each requiring:

Purification through Sulphur (invisible spiritual fire)

Clarification through Mercury (pleromatic mindstream)

The goal is to immortalize consciousness—becoming freed from cycles of incarnation.



Each Totem is an encoded Gate of Power—a step in the soul’s return toward its Final Cause.

Totems represent:

🜂 Evolution of a Magi’s Works

🜁 Gradual release of material density

Progress toward Asha Vahishta (Coagulated Divine Order)

The Orbital Microcosm mirrors Chaldean cosmic emanation:

“All things radiate from SGR*A, the Universal Superconsciousness, encoded as resonance, stored in Nature’s Bank of Memory.”

GR-S Metal Hierarchy & Totemic State

In Greco-Roman Sorcery, metals evolve in energetic density & resonance—each stage reflecting a deeper integration of Asha (Supreme Order).

GR-S Symbol Metal Function

Lead Initial Totem-State Ore is passed through ▼ (+/-/) to enter Totemic Work

Silver Manifestation Phase Totem begins activating creative force & energetic motion

Gold Final Cause Fully aligned Totem attains its perfected waveform

Red Stone Immortalized State Totem becomes a permanent archetypal force; Ascended Magi-Soul

🜂 The 4 Gates of Transmutation

Saturn–Lead Gate → Beginning, Density, Constraint

Jupiter–Tin Gate → Expansion of Insight & Form

⚔ Mars–Iron Gate → Fire-Tested Strength & Power

Sun–Gold Gate → Perfection of Soul + Ritual Mastery

➤ Red Stone = Ascended Totem-State / Immortality Gate



🗝 He who masters Lead in Saturn wear Gold in the Sun.

Metal is memory—transmutation records a soul’s becoming.

The Red Stone is not made—it's unlocked through ordeals of resonance.

Chaldean Magick Tech / Ritual Tech of Celestial Alchemy

Chaldeans were not only astrologers & metallurgists—they were ritual technologists.

Their mastery of sigils, mantras, yantras, & work made them practitioners of morphic invocation—the act of shaping reality through encoded Will.

⨹ Yantra Mantra (⨻) → Celestial Magic in Ritual Form

Yantra (⨹) = Celestial Sigil

Mantra (⨻) = Seed Sound / Command

The Chaldeans believed that ritual sound + geometrized symbol invoked forces that could: Alter fate Enhance power Summon spirits Transmute internal & external states

Babylonian Alchemy​

– 1,800 B.C.E. / Ritual Engineering of Kingship

Babylonian Alchemy, emerging around 1,800 B.C.E., functioned as a form of ritualized engineering—focused not merely on personal transformation but on structuring geopolitical & metaphysical landscapes through Statecraft.

🜂 Core Functions:

The manipulation of forces through ritual employed to:

Pre-configure events

Legitimize rule

Shape history through ritual interventions

Kingship via Alchemy

Babylonians believed the King was a mortal interface with divine Will—his success in rulership derived not just from military / economic power, but from his ability to ritually align the kingdom with order.

Alchemy here was not a laboratory science—it was a theocratic weapon.

Key Themes in Babylonian Alchemy:

Ritual Encoded Policy

→ Laws, wars, alliances, & constructions embedded with alchemical significance to ensure they harmonized with cosmic timing.

Totemic Pre-figuration

→ Objects & structures (temples, thrones, seals) imbued with Totemic resonance to channel power into material governance.

Celestial Justice

→ Kings judged not just by actions but by how well they reflected Marduk’s cosmological victory over chaos—a myth made alchemical in policy.

GR-S Integration

Babylonian Principle GR-S Equivalent

Divine Kingship Totem-as-Sovereign Interface

Ritual Statecraft Journal-as-Ritual Timeline Aligner

Cosmic Manipulation of Events Gates of Power triggering Morphic Reordering

Alchemy as Governance Totem Grid shaping external Situational Labs

🗝 The ruler does not act—he arranges stars.

A kingdom is a glyph engraved on the bodies of time.

🜏 Cosmic Technology for the Transmutation of Self, Matter, & Meaning

Cosmic Forces Govern Material Transmutations

Ancient alchemists invoked planetary spirits to regulate elemental change, so too in GR-S do we manipulate a Totem’s morphic records (A)* to orchestrate transformation.

Each force represents a code-layer of ASHA—a vibratory intelligence that dictates how matter responds to intent.

⚙ Metals as Embodiment of Power

'Metals' are units / containers of condensed energy-memory.

Each metal in the GR-S hierarchy reflects:

A psycho-spiritual frequency

A totemic phase

A form of will made dense

Gold = perfected form

Lead = raw chaos

Red Stone = crystallized archetype

Astrological Alignment + Symbolic Embodiment

Ritual timing & celestial correspondence are essential.

Use: Solar Fire 9 for ephemeris calculations ChatGPT for real-time synthesis

Totemic Notation System [1–9] to designate archetypal resonance

Yantra-Mantra (⨹ ⨻) framework to project sigils

When the sky & symbol harmonize, the gate opens.

Suffering, Initiation, & Alignment = Pathei Mathos

Transformation requires ordeal.

GR-S follows the classical path of Pathei Mathos:

→ “Through suffering, learning.”

Initiatory fire & situational labs refine both:

The Totem (the material subject)

The Magi (the sovereign agent)

🗝 Stars rule the rhythm & Will governs form.

To transmute is to suffer for a chosen purpose.

Each Totem is like a God embryo, forged by its ordeals.

Babylonian Alchemy: Engineering Through Harmonics

Harnessing Cosmic Law for Material & Spiritual Transformation

Babylonian Alchemy was a science of harmonics governed by cosmic law.

Practitioners operated as ritual engineers, shaping the seen world through interactions with an unseen world.

⚙ Core Tenet: Transformation Obeys Law

In Babylonian thought, nothing transforms randomly.

Every shift in matter, soul, or nation reflects a higher logic—the structure of the cosmos made manifest.

Tria Regula Babylonica – The 3 Divine Operations

Babylonian Alchemists encoded their metaphysics through verbs of transformation—each referring to a cosmic process & ritual technique tied to the gods & the material plane.

These doctrines are direct precursors to the 7-stage Operational Alchemy of Greco-Roman Sorcery.

1. 𒄭𒀭𒆠 Kuppuru ("Purification by Fire") → ▴ Calcination

“Burn the dross. What remains is divine.”

Fire was sacred purifier—to burn imperfection from soul & ore alike.

Associated Deities: Ea (Enki), Marduk

In GR-S:

▴ (+/-) represents the fire of Pathei Mathos (suffering & striving)

Totemic Lead refined toward Gold via cumulative ordeals & ritual heat

The burning is not just physical—it is existential, energetic, & alchemical

"Kuppuru" = The beginning of Totemic Conquest

2. 𒌓𒀭𒆠 Šapru ("Celestial Liquification") → ▼ Dissolution

Melt the shape to reveal the current.

Transformation through liquid states that reflect divine reconfigurations

Cosmic Alignment: Tiamat’s ocean – chaotic wellspring of energy-memory

In GR-S:

▼ (+/-/) dissolves fixed structures of Totems

The practitioner scries Totems to unlock its doctrine of Formative Causation

Energy memory becomes fluid & programmable

"Šapru" = The inner fluid of Totemic Memory

Babylonian "Tablets of Destiny" & SGR*A’s Connection

3. 𒀭𒊭𒀜𒆠 Anu's Seal ("Cosmogenesis through Compression") → Coagulation

“What is sealed becomes eternal.”

Babylonian priests believed ritual stamps encoded order into matter

Anu’s Sigil: compressed cosmic law into form

In GR-S:

Stage 7 Coagulation crystallizes a Totem into a Final Cause

The Totem becomes a superconscious morphic glyph

It then emits willpower into reality, functioning as an engine of transformation

"Anu’s Seal" = Totem as Permanent Morphogenetic Entity

Summary Chart

Babylonian Term Operation GR-S Stage Function

𒄭𒀭𒆠 Kuppuru Fire Purification ▴ Calcination Refinement through Suffering / Heat

𒌓𒀭𒆠 Šapru Celestial Liquification ▼ Dissolution Scrying & Melting of Doctrine into Programmable State

𒀭𒊭𒀜𒆠 Anu's Seal Divine Stamp / Compression Coagulation Crystallization of Totem into Divine Order

🗝 Gold is not made—it is remembered.

Fire teaches what form forgets.

Stamp the cosmos into your Totem, it shall speak forever.

“Ṭuppi Šīmāti” – Tablets of Destiny / Archives of Law & Manifestation

In Babylonian Alchemy, the sum of celestial & transformational knowledge was encoded into sacred objects known as the: 𒁾𒄭𒅈 Ṭuppi Šīmāti

“Tablets of Destiny” - ritual blueprints for:

Manifesting Dynamics

Cosmic Order (ASHA)

Totemic Transmutation

Functions of the Tablets

Divine Laws of Transmutation

Contain principles regulating change in metals & souls

Functioned like algorithms from the gods, allowing practitioners to act in harmony with morphic resonance

Archive Manifesting Dynamics by a trinary log of:

🕰 Past transmutations

Present alignments

Future possibilities (in accord /w morphic causation)

Mirrored functions of A* in GR-S: as a Superconscious Server storing Totemic DNA.

Invocation Protocol: identified conditions, timing, & ritual harmonics needed :

Activate spiritual fire (▴)

Invoke divine intelligences

Initiate high-level Coagulation ()

GR-S Equivalent Integration

Tablets of Destiny Function GR-S Equivalent

Divine Alchemical Laws OA 7-Stage Process + Gates of Power

Record of Past/Present/Future Transmutations Totemic Memory / Asha Journals / Realm Engine

Invocation Conditions AstroSync + Secret Mantra / Bija + Totem Grid Interface

GR-S Design Concept: Imagine a “Digital Ṭuppi Šīmāti” within the GR-S UI:

Shows live planetary alignments

Predicts transmutation readiness

Stores all past ritual outcomes + scryings

Highlights incoming “windows of intervention”

Becomes a Living Journal of an Alchemist-God

🗝 The stars speak not—unless read upon the Tablet.

To write your Totem is to write Destiny.

Ṭuppi Šīmāti is not stone. It is form.

This directly aligns with the Journal of Asha – which is a microcosm of A*

• SGR*A serves a Codex of Totems, resonance, & energy-memory transformations.
• Just as Babylonian Magi invoked the Tablets of Destiny to align earthly action with celestial order, Operational Alchemy engaged through the Journal of Asha aligns Totems with Morphic Metals, creating structured transmutations.

Babylonians assigned metals to gods, planets, & states of refinement.

Babylonian Correspondences:

Metal Deity Celestial Influence Corresponding Totemic Process

Lead Nergal Saturn (Chronos) Raw, unrefined Totem-State (Prima Materia).

Copper Ishtar Venus (Beauty & Power) Sensory, emotional refinement of the Totem.

Silver Sin (Moon) Lunar Forces (Subconscious & Astral Work) Dissolution & Astral Scrying of the Totem.

Gold Shamash Solar Forces (Illumination & Manifestation) Final Totemic State (Asha Vahishta).

Red Stone Marduk Supreme Order & Cosmic Rulership Ultimate crystallization of Totemic Power.

Babylonian Magickal Tech: Totems = Living "Tablets of Destiny"

Babylonians engraved sacred names onto stone & metal plates, believed them to be vessels of divine energy.

• Metal plates functioned as the interface between cosmic will & human experience, much as do Totems.
• Names, numbers, & symbols inscribed onto them were meant to activate a latent morphic energy.

Comparison to the GR System:

• Babylonian Inscribed Plates → Totems (Glyphs & Sigils)
• Sacred Names → Secret Mantra (primordial sound / ‘bija’ mantra) →Yantra-Mantra
• Invocation of Planetary Force → Astral Scrying / Totemic Activation
• Refinement of (Asha) Supreme Order →7-Stage O.A. Process

Babylonians practiced ritual chants (Bija Mantras), meditations for celestial alignment, & dream incubation as Totemic Activation Methods.

Egyptian Alchemy​

Khemia (𓂀 𓆑𓇌𓂻) – was 1 of the most influential early forms of alchemy ... giving shape to the Greek, Roman, Hermetic & Islamic forms that were to come. Khemia emphasized a comprehensive science of transformation & evolution of a Soul into the Afterlife.

Egyptian Alchemy was tied to spiritual ascent, divine embodiment, & processes of transmutation upon matter & the soul (‘entelechy’) hidden in matter.

Key Doctrines:

• Fire of Khepri (Self-Transformation gained through Suffering) → ▴
  • Khepri, scarab god of rebirth, symbolized transformation through struggle & fire.
• Waters of Nun (Primordial Dissolution) → Dissolution ▼
  • Egyptians saw water as both a destructive & purifying force, tied to Nun, chaotic primordial ocean.
• Ba-Ka Synthesis (Union of Spirit & Form) → Conjunction
  • Egyptians believed Ba (soul’s movement) & Ka (spiritual essence) had to merge under correct alchemical rites for its immortalization.
• Golden Flesh of Osiris → Coagulation
  • Osiris, God of resurrection, said to have golden skin, representing the final transmutation (‘Red Stone’) to make flesh into divinity.

Egyptian Sulphur

Egyptians described Sulphur (𓏃𓆳𓂻) as "Secret Fire", also known as ‘Sekhemic Force’, which:

1. Existed invisibly within all things - could be activated through ritual processes.
2. Represented a latent energy that’s stored in a body & soul.
3. Could only be extracted through suffering, fasting, & invocation.

The Egyptian Akashic Record

Egyptians believed all knowledge & transformation was recorded in "Akashic Scrolls of Thoth" (𓏏𓎛𓅱𓏏 𓊽𓏏𓊵𓏏).

• These scrolls were said to contain transmutation formulas for the structures of reality, & as well – the secrets of the gods.
• They functioned as an archive of energy-memory(‘entelechy’), storing:
  • Past, Present, & Future Recordings of a Soul’s Transmutations.
  • The recordings held formulas needed to invoke higher states of consciousness.

Egyptian Totemic Hierarchy Correspondences.

Metal	Deity	Cosmic Influence	Corresponding Totemic Process
Lead	Set	Chaos, Raw Power	Raw, unrefined Totem-State (Prima Materia).
Copper	Hathor	Sensuality, Harmony	Emotional refinement of the Totem.
Silver	Thoth	Lunar Knowledge	Dissolution & Astral Scrying of the Totem.
Gold	Ra	Solar Perfection	Final Totemic State (Asha Vahishta).
Red Stone	Osiris	Resurrection & Immortality	Ultimate crystallization of Totemic Power.

Egyptian Ritual Tech: Totems as " Cartouches"

Egyptians inscribed glyphs onto metal & stone tablets, believing they were containers of energy.

• These functioned as interfaces between cosmic will & human transformation, much like Totems.
• The hieroglyphs, numbers, & sigils encoded into them were thought to activate latent power.

G-R Sorcery is a spiritual successor to Egyptian Alchemy, combining:

1. Celestial-Alchemical Hierarchies (Egyptian Metal-Celestial Mapping)
2. Numerical & Symbolic Notation (Egyptian Hieroglyphic Codification)
3. Superconscious Energy Storage (SGR*A = Thoth’s Akashic Scrolls)
4. Totemic Activation through Ritual & Suffering (Egyptian Sulphur Principle)
5. Final Transmutation of Morphic Energy into Divine Order (Red Stone State)

Indian alchemy​

Rasaśāstra (रसशास्त्र) is an advanced system of medical & spiritual transformation developed in ancient India, particularly within Tantra, Ayurveda, & Siddha traditions. Rasaśāstra focused on bodily immortality (Siddha Deha), enlightenment, & the fusion of the physical with spiritual perfection.

Key Doctrines:

• Kāyakalpa (Body Transmutation) → ▴
  • Kāyakalpa - the process of a body’s purification through phases of suffering, fasting, & ingesting refined metal (purified mercury & gold).
• Rasayana (Immortal Elixirs & Energy Purification) → ▼
  • Rasayana involved the use of herbal, mineral, & mercurial compounds to dissolve toxins & extend life.
• Rasa-Vajra (Union of Mercury & Sulphur) → Conjunction
  • Indian alchemists believed Mercury (Rasa) & Sulphur (Gandhaka) had to be combined & purified to create the Philosopher’s Stone.
• Siddha Deha (The Immortalized Body) → Coagulation
  • Yogis & alchemists aimed to turn their bodies into “Golden Bodies” (Swarna Deha), achieving physical perfection & immortality.

Sulphur / the Principle of Hidden Fire

Indian alchemy saw Sulphur (Gandhaka) as a "Divine Seed", which:

1. Existed invisibly within all things - could be activated through refinement.
2. Represented ‘Kundalini’ energy that, when awakened, leads to divine enlightenment.
3. Could only be extracted through specific disciplines.

The Indian Akashic Record & SGR*A

The Indian tradition described an Akashic Record as Mahākāśa ("Great Space"), which:

• Contained all past, present, & future manifestations of a soul.
• Stored karmic imprints, energetic dynamics, & formulas for transformation.
• Accessible through intense Yogic concentration & Totemic Initiation.

Correspondences:

Metal Deity Chakra Association Corresponding Totemic Process

Lead Shani (Saturn) Root Chakra (Mūlādhāra) Raw, unrefined Totem-State (Prima Materia).

Iron ⚙ Mangala (Mars) Sacral Chakra (Svadhisthana) Drive, Strength, & Sexual Energy Refinement.

Copper Shukra (Venus) Solar Plexus (Manipura) Harmonization of Desires & Manifestation Power.

Silver Chandra (Moon) Heart Chakra (Anāhata) Dissolution & Astral Scrying of the Totem.

Gold Surya (Sun) Third Eye (Ājñā) Final Totemic State (Asha Vahishta).

Red Stone Shiva (Supreme Consciousness) Crown Chakra (Sahasrāra) Ultimate crystallization of Totemic Power.

Indian Tech: Totems = Living "Yantras"

Rishis inscribed glyphs onto metal plates (Yantras), believing they were containers of energy.

• These Yantras interfaced between cosmic will & human transformation, much like Totems.
• Numbers, mantras, & geometric sigils were encoded into them to activate morphic power.

Roman Alchemy​

Roman Alchemy (c. 100 BCE – 500 CE) was a fusion of Greek, Egyptian, & Mesopotamian traditions, developing a pragmatic system of metallurgy, medicine, & transformation. While Romans were less mystical than the Egyptians or Chaldeans, they refined alchemical knowledge into a structured, systematic process, focusing on a practical, transformative application—that was both material as it was philosophical.

Focused on practical transmutation, it was influenced by Stoic philosophy, military-industrial advancement, & state-sponsored experimentation.​

Key Doctrines:

• Ignis Divinus (The Divine Fire) → ▴
  • Romans saw fire as both purifier & force of cosmic will, associated with Vulcan, the god of metallurgy & transformation.
• Aqua Vitae (Water of Life) → ▼
  • Roman alchemists experimented with ▼ distillation & sublimation techniques, believing water beheld the power to dissolve, separate, & refine substance.
• Corpus Hermeticum (Unification of Opposites) →
  • Romans, heavily influenced by Hermeticism, sought a synthesis of opposites—uniting material with the (Asha) divine.
• Gold of the Empire → Coagulation
  • The Roman obsession with gold (Aurum) was not merely economic, it was as well alchemical, achieving an incorruptible, perfected state.

Roman Sulphur & The Hidden Fire Principle

Roman alchemists saw Sulphur (Sulphur Vivum) as "Living Fire", which:

1. Existed within all things but needed to be unlocked through systematic processes.
2. Represented the balance between destruction & refinement.
3. It was a force of both War (Mars) & Enlightenment (Apollo), requiring discipline to the benefit of established controls.

The Roman "Lex Naturalis"

Romans viewed the universe as governed by Lex Naturalis (Natural Law), which:

• Dictated the order of all transformations, including alchemical ones.
• It was recorded in codices, forming a cosmic & legal framework for reality.
• It was tied to celestial cycles, linking material change to planetary forces.

Roman Totemic Hierarchy & Morphic Metals

The Romans assigned metals to their gods, military ranks, & philosophical states.

Metal Deity Cosmic Influence Corresponding Totemic Process

Lead Saturn Limitation, Order Raw, unrefined Totem-State (Prima Materia).

Iron ⚙ Mars War, Strength Conquest, Willpower, & Power Refinement.

Copper Venus Beauty, Attraction Harmonization of Desires & Manifestation Power.

Silver Luna (Diana) Mystery, Knowledge Dissolution & Astral Scrying of the Totem.

Gold Sol (Apollo) Enlightenment Final Totemic State (Asha Vahishta).

Red Stone Jupiter Kingship & Supreme Order Ultimate crystallization of Totemic Power.

Roman Ritual Tech: Totems as "Imperium Seals"

Romans engraved magical inscriptions onto lead, silver, & gold tablets, believing they were containers of power.

Persian Alchemy​

Kīmiyā (کیمیا), was 1 of the most influential traditions, blending Zoroastrian metaphysics, Babylonian & Indian metallurgy, & Islamic philosophy. Unlike Greek or Egyptian alchemy, which focused on philosophical perfection, Persian alchemy was tied to cosmology, sacred fire, & ASHA / Supreme order.

Persian alchemy was a metaphysical science of purification & alignment, focused on achieving Asha (Order) & overcoming Druj (Chaos).

Key Doctrines:

• Atar (Sacred Fire of Ahura Mazda) → ▴
  • Atar (آذر) was Zoroastrian Fire, divine purifier & transformer.
  • Believing that fire burns away Druj (falsehood, disorder) & reveals the hidden essence within all things.
• Avestan Waters (Flowing Purity) → ▼
  • Waters of Anahita were seen as divine purifiers dissolving corruption.
• Kīmiyā (Mystical Transmutation) →
  • Persian alchemists sought unification of opposites—dark & light, chaos & order, material & divine.
• Zarvān (Eternal Cycle of Time) →
  • Zarvān (زروان), Persian god of time & destiny, governed final completion (‘Asha Vahishta’) of all things.

Alchemy of Alexandria​

Alchemy of Alexandria (c. 300 BCE – 400 CE) was the most advanced & sophisticated tradition. It became the foundation for Hermeticism, Gnosticism, & Western alchemy, emphasizing the equilibrium of transformation of both matter & consciousness.

Alexandrian alchemy bridged the Egyptian priesthood’s knowledge, Greek philosophy, & Persian/Indian traditions, resulting in a mystical yet practical system.

Key Doctrines:

• Pyr Technikon (Sacred Fire of Hermes) → ▴
  • Alexandrian alchemists believed Spiritual Fire was a transformative force.
• Prima Materia (The Fluidic Source) → ▼
  • Alchemists of Alexandria viewed transmutation as any beginning (of a ‘Lab’) which arises from a formless, fluidic state (associated with the Waters of Nun / the Etheric Void).
• Hieroglyphic Monad (Gnostic Unity of All Things) →
  • Alexandrian Hermeticists believed the universe to be a single, living mind—a macrocosm reflected in every microcosm.
• Chrysopoeia (Creation of the Philosopher’s Stone) →
  • The goal of Alexandrian alchemy was Chrysopoeia (χρυσοποιία), crafting of a Philosopher’s Stone—an object / symbol of perfected wisdom & mastery over all transformation.

The "Corpus Hermeticum"

• Contained encoded wisdom on transmutation, theurgy, & cosmic ascent.
• It was believed to hold the key by unlocking the hidden structures of the universe.

Metal Hermetic Principle Spiritual Meaning Corresponding Totemic Process

Lead Saturn (Chronos) Chaos, Limitation Raw, unrefined Totem-State (Prima Materia).

Iron ⚙ Mars (Ares) War, Strength, Willpower Conquest, Willpower, & Power Refinement.

Copper Venus (Aphrodite) Beauty, Harmony Harmonization of Desires & Manifestation Power.

Silver Moon (Selene) Mystery, Intuition Dissolution & Astral Scrying of the Totem.

Gold Sun (Helios) Supreme Light, Wisdom Final Totemic State (Asha Vahishta).

Red Stone The One (Monad) Universal Transmutation Ultimate crystallization of Totemic Power.

Practical Alchemy​

The O.A. metaphysical framework facilitates the compression of the Totemic Trifold Soul (Embodied, Disembodied, Soul deemed Separable) unto Embodiment; as 1 Wavelength (Soul Embodied)- whereby a Thing’s Gold Cells come to represent perfected states which hath been attained by a Man, his Skillset & the matter he had made subject.

Gold Cells = Perfected States; the acquisition of Gold Cells / Gold-ranked Totems are by the process of Coagulation (). By Operational Alchemy—solidifying fragmented / layered consciousness into a Living Soul. Each Gold Cell is like a Unit of Crystallized Will / Entelechy—a perfected configuration of Action, Awareness, & Asha.

The ‘Great Work’ refers to all mundane, troublesome Work invested into Totems by the route of Hands, Hearts & Souls. (as Entelechy; Manifesting Dynamics) Alchemy’s study throughout ages has produced a multiplicity in its styles of Conception; ... Jung’s Alchemy purely regarded dynamics of the Psyche’s Archetypal Forces; (super conscious-pleromatic characters) & their Powers by a method of Psychological Commentary. Whereas Jung saw Alchemy as relative to a map of one's inner world, O.A. sees it as a Soul Engine harnessing dormant transformation —across psychological, physical, & spiritual modalities.

Prima Materia charged with energic density / suffering ... is notated as the Input (+) —which is foundational to Operational Alchemy’s 1st phase, Calcination (▴)—by anchoring it to real-world actions, not abstract theory. (+) is acquired by accomplishing a Totem's Physical / Situational labs.

Each Metal Grade above Lead does not erase the Lead Base—but rather, like a Russian Doll, it contains it. Every Iron ⚙, Copper , Silver , & eventually Gold retains the memory & structure of Lead Cells, transfigured by Work, Intention, & Entelechy.

This reflects the truth: all greatness is forged from prima materia—crude, the common, the unrefined & the Simple Forms. To perfect it is to honor the discipline & the force of Spirit.

All Gold is quintessentially conjuncted Units of Lead

Every upgrade contains prior forms—transmutation is memory refined by will.

Operational Alchemy (O.A.) concerns itself with the Cosmogenesis of Souls—a Gnostic Trinity forged through the compression of:

• Embodied Life (action, flesh, & labor)

• Disembodied Consciousness (memory, symbol, & reflection)

• Spirit-Derived / Intellect-driven Evolution (ascent, archetype, & higher causality)

Through this fusion, O.A. transmutes states of little worth into states of exalted value—both in internal being (soul) & external matter (Totem).

This is the Great Work: soul-genesis raising leaden conditions into golden forms—through suffering, structure, & the exaltation of Will.

Operational Alchemy (O.A.) unfolds a trajectory of growth, gradually illuminated by the elevation of ASHA’s Vibration—that is, the Pleromatic Mental Imaging of a Totemic Final Cause.

This frequency is called ▴ Spiritual Fire—a force of influential light which reveals, etherically & astrally, 🌪 the Orbital Microcosmos behind the Totemic Manifesting Dynamics.

Element Meaning

ASHA Gnostic / Zoroastrian mental image of divine order (a Totem's Final Cause elicited by its Sigilized Statement of Intent)

▴ Spiritual Fire Catalytic ignition raises perception, akin to Kundalini / divine gnosis

Orbital Microcosmos internal-AKASHIC planetary/celestial interplay of Archetypes, Totems, Soul Nodes

Manifesting Dynamics ('Entelechy') causal processes that materialize Intent into Structure (via Totem, Journal, Action)

As the Fire increases, so does the Operator’s vision of internal & external processes—shifting raw effort into directed Will, & scattered forces into a structured creation

​

THE ALTAR ROOM| ⛩ | ( ▲ ▼ ◭ ⧩ )​

​

The Altar Room | ⛩ | ( ▲ ▼ ◭ ⧩ ) is a High-Magick System for engineering morphogenetic fields.

For newcomers to Magick... I’ll take a brief page to describe the MAGI’s ALTAR ROOM, objects involved in its arrangement– as well - describe overall purpose in respect to the O.A. System. (Ceremonial Rites & Daily Ritual Sets borrowed from Hermetic Order of Golden Dawn ... merely suffices for our purpose ... tho – no mistake – G-R SORCERY is a LEFT-HAND PATH tradition (H.O.G.D contrarily would be Right Hand) ...– L.H.P. infers a path which seeks Dominion over both Objective & Subjective (personal, party & collective) Realities ... by a qualified means of excellence – like by a magi’s TOTEMS / Totem ARTS –accomplished Final States – the Magi’s ALTAR ROOM of many Totem Artifacts (called ‘gates of power’ – some active – some complete) that regard ‘Asha Vahishta’ ... which are Productions of ‘EUDAIMONIA’. (Perpetual Joy establishing self-sufficiency by Asha Vasishta’s accomplishment) by Totemic Singularity as 1 VIRTUE ... ... this accomplishment is a form of Lower Magick a.k.a - Dark Art’. (‘Alchemy’)

ALTAR ROOM | ⛩ | ( ▲ ▼ ◭ ⧩ )​

• The ALTAR | ⛩ | - center point of the ALTAR Room ... where you have
• WAND▲ – as element: FIRE – the Creative Force of Totemic ASPIRATION for SUPREME ORDER’s INVOLUTION. Controller of Desire & Power. (For male Magi – signifies 3/4ths essence of the ideal man)
• CHALICE ▼ – as element: WATER - signifies intuition / receptivity ... altar chalice can hold Wine, Water, or ‘Eucharist’ (intoxicant / exciting liquid or food offering) ... a feminine symbol, subconscious flow states. (1/4ths essence of an ideal woman) (if MAGI is female – 3/4ths the perfect woman – 1/4th perfect man. (this ratio represents the ideal distribution of gender within self-energy to propel nature’s generative force as equilibrium between polar characters most found in Self as Nature)
• SWORD / DAGGER ◭ – as element: AIR - signifies INTELLECT / ANALYTICS ... Banishing Ritual as Ritual Space Creation ... brings Thought’s Clarity to proceed.
• PENTACLE ⧩– as element: EARTH ... signifies MATERIAL PLANE, its physical-mundane WORK CYCLES withstood under (timed) DETERMINATION toward the COMPLETION of a Thing’s Orbital Microcosmos.

The ALTAR ROOM is where meditational, yoga-asana & contemplative exercises are preformed – such as I. ▴Calcinate (-) & II. ▼Dissolution (+/-/) .

STAGE I. ▴ (+) take place during PATHEI MATHOS - undergoing a LAB ... real setting / context where Entelechy’s Prima Materia is acquired ....

STAGE I. ▴ (-) – The Single Pointed Meditation on a TOTEM ... ideally takes place in an Altar Room.

ALTAR ROOM & TOTEM ACCESSORIES


Incense - purify & invoke spirit / energy ... select based on attributed REALM NUMBER. – thought of as the ascent of intention to ASHA –higher realm.

Bell – to signal transition in a ritual body, invoke, mark beginnings (banishing) & ends (banishing) of a Ritual Body. Signifies power of SOUND-VIBRATION ... to summon & align (morphic) energy.

Candle(s) - Represents the presence of ASHA as a light of consciousness emanating from the TOTEM/GATE. Use candles in specific numbers & colors corresponding to REALM [1] – [9] being worked with.

THE TOTEM & its Talismanic Objects

TOTEM print out –CANVAS / PAPER /w gathered objects aligned with the TOTEM as a ‘metaphysical realm’ in signification of its ASHA ... such as a realm [x] deity a statue, Y.M. Talismans, & various Totems Arts.

An Altar Room is arranged as to reflect a particular microcosm – as an Element of Orbital Microcosmos of a Thing, Self &/or Universe ... Altar Tools are used as Symbolic Tools to enact the superconscious progression of a Totem’s inferior-order Work, such as for invocation (▲ Wand), grounding & - ultimately- Ritual Manifestation. (⧩ Pentacle).​

LABS –Life’s Playgrounds​

LABS denote a physical-mental-conceptual space whereby practitioners engage O.A. as a transformative process. LABS refer to ALL ARENAS of Dynamism chosen for the conductance of PATHEI MATHOS – as represented - ‘Stage I. Calcinate’ - ▴ (+)– .... (+) indicating a cycle of an active Totemic, Troublesome Striving – regarding Exoterica’ s ▴Totem Work ⧩. Unlike Altar Room which is focused on ritual & meditative practice, LABS are mundane & diverse places / contexts - Workshops of Action (for conducting Totem Arts under periodic / rhythmic conjuration of a Secret Mantra in acquisition of Prima Materia – as notated: (+) ) where-in we confront a Rough, Formless Material ... geared with our ‘lab equipment’ & current level of Entelechy ... where-from is navigated the best possible decision-portal that may best further / subside real-world arrangements. 1 completion of a LAB ... is represented as (+) – denoting a unit of ‘prima materia’ (raw material as a ‘recording’ ) charged with energetic density / fabric of suffering.

LAB emphasize Action, Creation, & Experimentation ... while Altar Room | ⛩ | facilitates the cultivation of morphic metal as a product of ▼ (+/-/). Ritual Sets aim to shift / promote the Nature of ‘Entelechy ‘ (psychical-physical fabric as [energy-memory + formative causation] / ‘Semi-Physical Soul’ of ‘Skill’ –across Embodied, Disembodied, & Separable phases ) to best purpose the Color & Character regarding a particular TOTEM WORK & TOTEM ARTS proscribed to .... (Think – the accumulation of ‘Electrons’ around ‘atomic structures’ - by Exoterica’ s plot; Objectives-Tasks which define a Totem’s Lab Work.) (Whose ‘final state’ (as ‘1 Virtue’ ) is fully involved as Asha Vahishta –a Compressed Super Conscious State. ASHA is gradually & episodically discovered by ▼ (+/-/) - as a SOUL DISEMBODIED – thought to possess an inherent design (to be metallic) of Entelechy as needed for a TOTEM’s ‘golden’ conjuration into its Manifest Form by suffering’s investment ( as a SUPER CONSCIOUS / ‘morphic’ NODE ) - it’s a VISION BANK ... a BANK whose Store of Value regard VISIONS by LEVELS of ILLUMINATION regarding past, present & future courses of action ▼ (+/-/) which spur a Totemic Final State. TOTEM LABS breed a requisite material – prima materia – which is the input needed to grade totemic metal cells revealed by the best order of process for a TOTEM to become ‘Soul Embodied’ –to a level of ‘Asha Vahishta’ - fully realized STATE of ASHA involved into the Material Plane.)

Any LAB has features of chaos & dynamism – LABS reflect an ARENA pervaded by a certain messiness of creation - & ‘gross material’ / ‘land of disorder’ - the experience of a LAB is what generates (+) ... Prima Materia ... the metaphor is mining for ‘Earth Crust’ –crawling in a cave to do... ( (+) thought to contain morphic metal (containing ‘WEIGHT’ (+) of ‘SUFFERING’ ) by large-scale lab work / mining ... ( (+) à ▴(-) à (-) à ▼ (+/-/) à ) ... Unlike a LAB - an Altar Room is orderly & symbolic, signifies (re-) alignment with a TOTEM’s gradually foreseen ASHA –as a (morphic) Node & Realm of Superconsciousness.​

• Situational LAB - Situational Labs regard real-life scenarios selected to act as a TOTEM’s testing ground in the deployment of TOTEM CRAFTS assigned by a TOTEM’S PROGRAM. (e.g. by recalling a Totems SECRET MANTRA (as mental Anchor / superconscious processor / filing cabinet) during a Totem’s Striving ▴ (+)
• Example: Social gathering / busy street where persuasion & strategy can be tested, or- martial arts competition where a Totem conjures metallic performance. (Entelechy’s Conjunction ... – gold be – strong energy-memory in a martial artist’s muscle dynamics ... conjunction in this case would be a diverse STAGE 4 Martial Arts, Nutrition, Sports Psychological idea-methods proliferated as a conjunction of higher metals– ‘METALLIC SUBSTRATE’ of GOLD & SILVER & the functions, strengths & qualities cultivated as 1 VIRTUE.)
• Physical LAB are ordered workshops / work environments where hands-on work occurs, where the craft of Totem Arts become animated, where tools are experimented, & projects are conducted.
• Example: Metalworker forge, artist studio, musician recording space.

The Alchemical Allegory​

Alchemical Allegories provide philosophical points that yield superconscious returns by interpretation ... they spur archetypal dynamics that lead the posterior process of realization meta to rational decision making ... often leading to storefronts of value.

Alchemical ideas & processes are codified by symbols ... in GR-S – we use emojis to instate this measure ... producing a flexible & memorable alchemical lexicon... defining the recurrent symbols casted in O.A. framework Notation. The emojis are geared to run TOTEMS ... by a notational guide in the dictation of the TOTEM WORKS ...which is framed in the JOURNAL of ASHA –where-in Totems include such a comprehensive manuscript.

Employing SIGIL & SYMBOL-SEQUENCE serve as recording devices –a widespread practice for ancient craftsman-alchemists ... TOTEMS act as Mental Cabinets navigated by notational means ... using a self-referential registry of symbols to navigate specific processes, sequences, points of view & states of existence ... as superconscious guides unto all matters of manifestation.

A man well-possessed by such a system becomes well-learned in every branch of science & highly skilled in various Arts – his works possess a certain resemblance of the vitality of gold –transposed of all timidity & all that had become perpetual in dejection ... he makes things premium by his philosophical faculty –& becomes looked upon by all as a source of wisdom –by an aura seen as a fountain of celestial color –yet fortified; by a beautiful stone – enclosed, so that brutes do not enter nor do birds make a bath into it; its upper behalf remains shut. Such a man is like a Fountain–self-sufficient by the principle of Eudaemonia ... a King resuscitated as Soul Disembodied –whose continuance is within the breast of his subjects.

The 1st chamber is Saturn, the 2nd chamber is Jupiter, the 3rd chamber is the Moon, the 4th chamber is Mars, the 5th chamber is the Sun.

Man becomes sleepy after an ardent day of Pathei Mathos ... he returns to the fountain ... opening its upper part in a secret manner ... by his sleepy hands – drops a ‘stone’ to preserve the honor by ▼ (+/-/) memorial recall of a day’s adeptship.​

Construction of a Philosophical Mansion​

The cultivation of Totemic Clothes of Asha (the semi-physical attributes / garments formed by one’s Gate of Power)& its imminent counterpart - Asha Vahishta are akin to constructing a philosophical mansion ... purposed for the attainment of GOLD / Red State – States which make capable the potentials of a Totem’s ore – ‘transcendental ore’ spawned from a doctrine of 4 elements – & psychically – unto the immanence of the elements within states of PRIMA MATERIA / initial chaos / disorganized, imperfect scenarios / primitive matter.

“Asha Vahishta” (…) is a perfected, manifest form of Asha —a Final Cause embodied into this plane, a successful Coagulation of a Totem’s fabric of intention.

GOLD = Manifested Asha (ideal Totemic state)

RED STONE = Immortalized Totem-State; a Gate of Power so realized that it becomes eternalized into a legacy / legend (e.g., in art, politics, invention, or as a doctrine)

The “Philosophical Mansion” metaphor evokes t he layered stages of transformation:​

• Foundation: Raw chaos / Prima Materia
• ▴ Calcination: Suffering & striving (Pathei Mathos)
• ▼ Dissolution: Astral replay of Prima Materia
• Separation: Distinguishing archetypes (▲ ▼ ◭ ⧩)
• Conjunction: Synthesis of Totem Arts / Metal Cells conjuncted unto each other as cells, organs, tissues.
• ⚗ Ferment / Distill: Activation & refinement
• Coagulation: Finalization — i.e., the “Mansion” completed

The Philosopher’s Stone () represents an ultimate culmination of Mastery; materials arrogated by select formula of ideas which are to be acquired as the shards of a Hermetic Globe –Entelechy’s fabric of energy-memory potentials to become actual (esp. as (+) = energic density) ... gradually refined into a manifest & sovereign entity. (‘Gates of Power’)

Gnosis-as-Architecture; 🏛️ Building the Mansion of a Totem​

Foundation (Prima Materia Raw Chaos)

• · The formless, disordered base from which a Totem emerges.
• · (+) = Energetic density mined from Pathei Mathos (▴ +).
• · Prima Materia is the “crust” — full of latent power and suffering, waiting to be refined.

of suffering) to gain the ore to be refined into structured reality.

Structural Framework (Calcinate ▴ (+/-) ▼ (+/-/) Dissolution)​

Symbols & Correspondences begin to constrain raw energies into new, meaningful forms.

This is the scaffolding of a mansion, defining what a Totem must become.

Corresponds to distillation & sublimation—sorting what is essential from what is not.

Interior Design (Separate (▲ ▼ ◭ ⧩ ) ⛧ (▲ ▼ /◭ ⧩ ) Conjunct)​

Once fundamental structures are set, internal organization begins.

Gates of Power (Totems) become aligned into functional roles.

Asha of a Totem gains specificity: whether relating to art, politics, war, or metaphysics, the nature of the Totem is framed within its philosophical purpose.

𝜗𝜚 Aesthetic Finishing (Ferment ⚗ ⛧°。 ⋆༺♱༻⋆。 °⛧ Distill)

​

Akin to how a tincture matures, so does a Totem.

By the refinement of metal cells, leading to an emergence of a coherent, operational system.

As does the fine-tuning of a masterpiece – likewise –a Totem’s qualities becomes calibrated.


Seal of Completion (Coagulate ◄ ▲ ▼ ► ◣ ◥ ◤ ◢ ◂ ▴) Red Stone)

​

A Totem reaches the stage of Asha Vahishta, a most excellent, materially realized order.

Asha Vahishta as GOLD / RED STATE infers a completed Philosopher’s Mansion, fully constructed & imbued with its Final Cause.

If ‘RED STATE’ – the Gate of Power becomes immortalized—whether as a book, composition, artwork, or political doctrine—it spurs a SOUL DISEMBODIED as a self-sufficient, transcendent object.


Red State is a universal ore suggesting that Asha Vahishta, once reached, acts as a universal solvent & philosopher’s stone. This means:


A Realized Totem reaching Red State (beyond gold rank) acts as a Master Key—it becomes the reference point for later practitioners in transmuting materials.

Red State serves a Supreme Order (of Nature / Cosmos); it aligns the 4 elements into a single, concentrated essence.

Beyond specialization, Gates of Power holds capability of all arts, sciences, & spiritual practices.

It is morphogenetic; it can shift egregores, refine artistic & political states, & encode transformations into reality.

Prima Materia is ‘primal substance’ which sees its evolutionary course punctuated by processes ordered by GR-S’s 7-staged notational interpositions – notable – the penetrations by filthy sulfur (▴ (+) which coats pure mercury (for ▼ )which is held back to later coagulate into a volatile, primitive (-) à (+) mercury ... which is then materialized by the drying action of arsenical ▴ (-) sulfur.​

Every Totem becomes as a self-possessed Hermetic Globe – as a ‘microcosm’ which is 1st assembled without order, without form, without rhythm / measure ... it begins via the – 1st Matter - Prima Materia – an initial state of chaos / a raw disorder of material among the mass of experience which contains the needed potentials of order, form, & transmutation ... superior properties of the Semi-Physical Soul ... fabric (metal cells) architected & well-invested by inputting ▴ (+) ‘Pathei Mathos’ / ‘Troublesome Striving’ (into a LAB) leading (+)‘Suffering’ - latent energy structured by Notation, Symbol as Transcendental Purpose.

Asha (Supreme Order in a Transcendental Form) is encoded in words(‘mantra’), sigils, & symbols, the "image of the word" suggests that reality can be shaped by language & thought (Mantramārga ("Path of Mantra") ... as a property of ▼ (+/-/), as well – morphogenetically engineered by activities of ALTAR ROOM. | ⛩ | ( ▲ ▼ ◭ ⧩ )

Journal of Asha serves to host sectional manuscripts of Totems worked with ... producing a documentation of Hermetic Globes... as well – yield discovery of relations Totems pertains to. This can be called a form of Tantrism ... Tantrism – by apt translation – means to ‘weave’ / ‘weaving together’ ... the applicable TEXTS, THEORIES, SYSTEM, METHODS, INSTRUMENTS, TECHNIQUES & PRACTICES into & out from Totem-Vessels.

The Hermetic Globe of a Totem - contains unto itself a Macrocosmic Mirror – by its investment - gradually assembles particles from the LABS’ primordial chaos which becomes destined for the convergence unto Asha’s Will by Elementary Renewal across 3 Kingdoms... (Mind, Body/Vessel, Soul ) / (the Separable, Embodied, the Disembodied) .... The Triadic set interrelates 1 vessel (the Gate of Power) spurring alchemy’s operation to evoke & invoke (mysteriously) required circumstances which orient into / become directed into the Kingdom Embodied.

‘Spiritual Fire’ refers to the illuminated perception of TOTEMIC ASHA – which begins as an unseen forcefield pre-existent upon the Superior Realms as an aspect of Totemic Entelechy –arising by Astral Projection of its superconscious vectors revealing Spiritual Forms of the potential-to-be-actualized – by translation of an unseen yet ever-present fabric ... by which – if as a cell - it turn ‘metallic’ – forms a Totem’s latent powers... as a Totem becomes materialized in Salt.(via separating its visions as Constructs ‘Totem Arts’ by O.A. Notation) Such hidden sulfur remains concealed within our Embodied experiencing ... only perceptive by means of Operational Alchemy ... conjured by meditational recitation of a Totem’s Secret Mantra – this spurs scrying, processing & invocation gearing conductance of a LABS’ Pathei Mathos.

A Totem left unprocessed stays as a mere symbol rather than a Gate of Power ... ,

Thus, the Fire symbol in ▴ (+/-) Calcinate refers to ‘Spiritual Fire’ that drives an idea / essence into embodied forms ... & spurred by Secret Mantra - a superconscious processor when Secret Mantra is recited ... producing Energetic Emission (Morphic Resonance) used to decorate & inspire Flow States / the Entelechy (energy-memory + formative causation) whose ‘mineral root’ stems from various LABS of Pathei Mathos.

Purest Fire (as a Force of Asha) is a Fire same in essence as Asha Vahishta in Golden Rank .... albeit less digested ... – it signifies the nature of a precious metal.
​

A* / the Art of Transformation​

The Milky Way’s Supermassive Black Hole projects Holographic Realities ... functions like a Film Projector (non-detectable light waves - ‘X’ Rays). Within SGR*A’s ‘camera’... exists a 2-D Realm; a Computational Nature ... storing a compendium of TOTEMS / ‘2D-Boundaries’ which make up the physical-transcendental elemental constituency of the Milky Way –as the programming of its expressions; Archetypal Characters transposing unto its Physicality by the Mineral & Metal Nodes which precede All Things’ manifest existence.

Within A* - Totems appear as 2-d Symbols –which can be skryied (Astrally Projected ...) to describe the Orbital Microcosmos that regard that SOULS/Vessels – past-present-future Energy-Memory Fabric as it is encoded with the INFO PHYSICS describing its chain of Formative Causation.

ULTIMA MATERIA ... or ASHA... is a Pleromatic Order pre-existent in the superconscious, un-manifest, an existence of ‘Soul Disembodied’–wandering hall of ghosts who dictate the nature of life – how they are to live, how they are to die. ASHA originates into material reality by synchronous Mineral & Metal Ports as Orbital Microcosmos .... leveraging the Cosmogenesis of TIME as expressions of the laws of nature ( ‘NETER’ – cosmic laws expressing themselves thru animation) – ‘Info Physics’ to port Semi-Physical Souls into existence by a layered seeding of mineral & metallic root-causations; organizing assemblies of soul-vessels for their re-introduction into Reality as Soul Embodied.

Nothing in existence is born in a final, perfected form – it must animate its chain of formative causation by utilizing an already manifest mineral & metal root work –PRIMA MATERIA of NATURE – ‘original stuff’ – chaotic, formless materials.

Everything requires action, refinement, & transmutation to move from chaotic / lower states into ordered & exalted ones. This principle is apparent by the application of the evolution of Totems / Gates of Power into the currencies of the Morphic Metal they contain which signify the levels of a Totem’s Manifesting Dynamics.(a.k.a ‘Entelechy’ –Fabric of Potentials to become Actual.)

A successfully completed (totem) Gate of Power, is where suffering has been converted into wisdom, skill, & mastery by Pathei Mathos & the 7 stages of O.A.

Until an entity reaches this state, it remains incomplete, requiring continued evolution.

( - 👁⨻ / ) à ᗢ (▲ ▼ ◭ ⧩ ) à à ( ↔⚙↔ ↔ 🛡↔ ↔ ↔ ↔)

The process reaching ultima materia is the essence of sorcery, alchemy, & mastery; Alchemy is the Art of carrying things to their end – for things that have yet to be completed.

Central to Alchemy is the element FIRE –all is achieved by FIRE; all metals are purified by FIRE- evolving them into nobler, perfected states. Fire separates DRUJ (falsehood / entropy) from ASHA (Supreme Order) – when applied to Human Souls ... this is what allows a Soul Embodied to become ‘IMMORTALIZED’ – spurring new Souls Disembodied ... when it reaches a semi-physical state corresponding to the Totality of Asha.

Consequentially ... Fire’s Filth causes bodies to ROT ... causing Souls to become powerful. Decay causes a transformation of Shape, Essence, Force & Virtue by the cycles personifying excellence.

Hidden within all nature(s) is a ⨻ Biofield of Light ... which cannot be perceived by ordinary 👁 eyesight. In terms of ourselves - we perceive a relative ½ of the cosmos.

Likewise, the existence of the other half ... can be skryied by the Superconciousnsess ... like a sun through glass ... radiance the human / body acts from a distance while remaining at 1 place. Superconciousnsess, pre-existent hidden light serves as a source of learning. When the world began – all was (transcendental) water –spirit roaming among endless an open... whose motion formed Nature’s 1st MATRIX / Egregore of Mass Conciousness.
​

Mercury, Sulfur & Salt​

All Things / Souls consist of themselves by 4 Elements ▲ ▼ ◭ ⧩ ... which’re bound by a Triadic Structure.

☿ Mercury

Sulfur

Salt​

(☿ ) ▲ (☿ ) ▼ (☿ ) ◭ (☿ ) ⧩(☿ )​

☿ Mercury –Spirit & Mind

Fluid, volatile, & connective principle.

Associated with intellect, breath, & transformation.

A binding force, messenger between realms.

Mercury represents a volatile transition between perceptual states.

Sulfur –Active Force & Will

Represents fire, action, & combustion.

Agent of transformation, associated with soul + willpower.

Sulfur "ignites" transformation, establishing processes into motions.

Aligns divine spark, forces creation & destruction.​

Salt –Body & Foundation

Crystallized, fixed principles.

Representing matter, forms, & structure.

Regards the body: stable basis upon which things are built.

Regards the preserving & stabilizing changes to be initiated by Sulfur & directed by Mercury.

​

Triadic Structure within 4 Elements



(☿ ) ▲ Fire – Sulfur dominates ( Will), Mercury proposes ( Movement), Salt deposits (Stability).

(☿ ) ▼ Water – Mercury dominates ( Fluidity), Sulfur breaks up ( Action), Salt resolves itself ( Memory).

(☿ ) ◭ Air – Mercury rules (🌬 Thought), Sulfur animates ( Inspiration), Salt endures ( Manifestation).

(☿ ) ⧩ Earth – Salt directs (Stability), Mercury puts together ( Growth), Sulfur drives ( Decay/Rebirth).



Operational Alchemy as Transmutation​

/ Part 1.

• · Phase I – Calcination (): Burns away impurities—suffering fuels alteration.
• · Phase II – Dissolution (): Breaks structures apart—encirclement: fluidity & chaos.
• · Phase III – Separation (): Identify core elements—discern what is essential.
• · Phase IV – Conjunction (): Combine elements (Metal Cells)—form a new order.
• / Part 2.
• · Phase V – Fermentation (): Birth higher potential—awaken hidden forces.
• · Phase VI – Distillation (): Refine pure essence of a work.

· Phase VII – Coagulation (): Solidify transformation—embody Final Cause.

The Triadic System (☿ ) binds material, energetic, & spiritual dimensions in GR-S as the processes involving & evolving a Totemic Final Cause into its materially realized perfected state (Asha Vahishta) by the Interactions of 3 connective principles (☿ ) within the instituted 4 forces (▲ ▼ ◭ ⧩); a dynamical system for WILLING Change –based on natural philosophy & the actions resultant of the Union of Forms via a practitioner’s interfacing with O.M. (Opus Majus, notation system).