Отв: Classical Music and Higher Education

[Edward Teach]

Thanks brother.

Mozart was linked to masonry in the last part of his life. He ended his official work and began investigating in mason mysteries. His last opera (after which he died soon under some very strange circumstances, like being poisoned or such) was called “Magic Flute” and actually is all about allegories. The flute as all classic instruments is symbolic, as far as all aerophones were made of wood in that time still, it is the same wood Wotan and many other Gods hang from - sacred tree of life., which made them go “through fire, storm etc.” The subject was masonic as well, and those feats and tests they went through also had to do with spiritual allegories of advancement in MO and i.e. masonic hierarchy. Soon after he died mysterious death that he foreseen as far as he had extraordinary abilities, extraordinary memory etc. Mozart’s music is said to be healing to the mood and soul and recommended to pregnant mothers.
It is notable how classical orchestra always was very strictly balanced. Specific number of aerophones, brass, strings, drums etc. that has unique balance that creates wonderful magical sounding that only classic orchestra can give till nowadays. There is no too much beat like in “pop” of today. It is balanced so we have the rhythm but in the same time can enjoy the beauty of violins and soft aerophones. It’s because the groups of instruments are symbolic and correspond with the elements. Aerophones - with air, drums - with Earth. They can’t overweight each other or it will be no that healing to soul as it would be if they were.

Also opera theater as a whole is notable: its form is of Ancient Greek amphitheater. Actually all theater and opera came from Greece. In music universities theoretical/historical faculties you can learn that Greeks had an opera, had different tonalities, modes / frets.

Classic music is healing and balancing to human Gentile soul, that’s why it was destroyed totally by kikes in 20 century, as in 20 century more and more kike “composers” began getting music education and “composing” classic such as Hindemith and it became unbearable and very unhealthy. More and more people turned their backs on classic because kikes which infiltrated there destroyed Ancient tradition of tonality with “atonal” shit they made a “fashion”.

The last thing. When I was studying in my university the history of “church” music, in both Russian Orthodox church and old Catholic one (of which more late versions of xianity took after) I found that 100% of their so called “melodies” were stolen from nearby Pagan national folk songs. Italian Catholic church - from Italian folk, Russian Orthodox church - from Greek/bisantic folk etc. They have nothing of their own - because music is national thing and xianity is not - it has no basis nor root, only lie. Once Rachmaninoff took Orthodox church melody for his famous piano concerto 2 Rachmaninoff plays Piano Concerto 2 and it sound most Pagan most about love and sex, about Serpent and Pagan holidays reminding of all this to our souls and extremely faimous and make us cry. Wonder why - its our folk song stolen by xians.

воскресенье, 17 января 2016 16:40 Egon Albrecht <egon88@... писал(а):


Daniélou’s instance on classical music is bullshit... People like to listen trash because Jews run the media, educational system as well as music industry, so these people are in a lower level of existence, being uneducated to swallow any crap they hear, as well as mocking higher culture as a whole and praising stupidity.
Classical music fans exist in great number so the argument it does’t fitting people’s vibration or whatever is nonsense, and these classical fan’s awareness is higher than the crowd such is its effect on the mind, just give a look at great geniuses and classical music students and fans such as Jimmy Page and Adolf Hitler, and are usually the first ones to give up on enemy programming. Satanism isn’t currently liked by the major crowd so it’s less applicable for humans? Kids learn to like what they were exposed to no matter how bad a music is, and so they are supposed to follow certain enemy religion if they are exposed to it from the birth, and in both cases it’s reversible by education and spiritual openness.   So the ‘formula’ is in the Harmonic Field and its infinity of possibilities that all geniuses of music knew how to use well (search about “The Mozart Effect”), not some 4/4  beats formula every modern music has. In either case, these classical fans majoritarily enjoy traditional folk songs which are also disliked by modern mobs. Hence why the Third Reich nourished, educated and promoted classical music and higher culture as a whole, not the other way around, as well as popular non-classical Schlager and Volksmusic if they were of good taste, not excluding the classical bases. Good examples are the State Orchestras and the obvious, Hitler liked and promoted Wagner (who like him, was a Pagan/Satanist).   An interesting side-note is that how the musical note G is Sol (Sun) in Western notation, and G in non-corrupted Freemasonry is about the “silver” elixir, that is combined with “gold” Aum for the the Magnum Opus, read: https://groups.yahoo.com/neo/groups/JoS ... ssages/382   Mr. Daniélou can be good at understanding Ancient Paganism, but he didn’t understand quite well of music in a (real) spiritual base or about Jewish control of music industry. This is not only in music but the Jewish destruction of any good art and degeneracy of educational system in order to undermine society, just look at their so called modern “art” and the rotten Jewish spirit in it.
Wager - Judaism in Music: http://www.jrbooksonline.com/pdf_books/ ... nmusic.pdf

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[JoS Forum Contributions]

Danielou had a doctorate in music, his statements were from studying the ancient Greek and Vedic musical systems here. He is actually correct classic was never that popular among most people they preferred folk music and the pop music of their day in general. You can restructure classical music with a proper formula and finish the point of the music. Nature wins in the end. It should be obvious the Jews use the proper structure because it makes their message more digestible in musical form to the masses.  

 

[egon_88_666]

The modern popular music, rock, pop etc., use the same system of frequencies that the notes of classical and the same Harmonic Field. Daniélou argues that the closer the *frequence* of the notes systems are to the natural pitch the more enjoyable it will be for humans. He is right on this, the right frequence of sound not the rhythm of beats or musical style and it's the whole point of his argument. Nature is right and he is half-right.

Popular music isn't based on the same musical system of old European instruments or Eastern music but in the classic chromatic one, even the same system of musical division and rhythm. The difference is that it is more simple, easy-listening and aided by propaganda.

Hence why "Greek modes" exist within western system. If the classical system is wrong the whole Western music is as well, given the Greek original pitches aren't known anymore but the division and formula is the same where classical evolved from.

"The failure of modern musicians to produce any effect when they play their transcriptions of Greek or Asian modes comes from the fact that they always approach them through temperament, which disfigures their intervals and flattens their coloring, reducing practically everything to the tempered chromatic mode. We should not forget that although it is comparatively easy to recognize a mode or melody we already know when it is played in its tempered approximation, it is extremely difficult, if not impossible, to imagine its color and expression if one has never heard its real intervals."
- Daniélou [download]By this satement he means the notes and sounds of folk and Eastern etc., are not "tempered", ie., it does not follow a stric rule of notation of the same chromatic scale like the notes of Western music in GENERAL.

The theory is right and the observations on popular music are wrong for the already mentioned reasons, with doctorate or not. The proper tools for such effect already existed in the classical period if the composer knew how or was permited to use them, that's where the Sonata comes from. May not in earlier classicism or barroque but looking at it later on how Mozart built his music and it's effect; hence why he was so popular from the start more than Haydn (because church restricted his creativity) and more than other musical movements of the time. Then comes Beethoven inaugurating the Romanticism and the apex of music, and later some interesting composers like Liszt till the decadence with modern scene.

Stairway to Heaven is composed in the form of a movement of a romantic Sonata as well with a main theme "A" coming and going around themes "B" and "C" in 4/4 rhythm formula. Most good metal musicians are heavily influenced by classical, mainly romantic period.

https://en.wikipedia.org/wiki/History_o ... ca_1910.29

Daniélou simply meant that notes such as G, A, etc were different in the Primordial instruments and system, nothing else, he did not mean the vomit we hear today is more correct. "Blue notes" are like whining or wailing or such - they are not clear, meaning there were more tonalities in the Ancient World than there are now. Crap being popular through jew payment is right. So is right Daniélou about Ancient "altered" notes that make music more expressive. But in today crap pop the sounding is as tempered as in classic as it is simply a shit version of it, so according to this theory everything must be restored into Primordial intervals.

The point remains the same, popular music is more popular than classical because of the spiritual degeneracy and low level of population, and so they are more prone to be indoctrinated by what is in their low vibe, while classical is a higher vibe so they don't digest it. Good music is almost already in the right place, people who aren't.