Wagner, Nietzsche and National Socialism
"A daring and ruler race is
building itself up.... The aim should be to prepare
a transvaluation of
values for a particularly strong kind of man, most highly
gifted in intellect
and will. This man and the elite around him will become the
'lords of the
earth'."-Nietzsche, The Will To Power
"Richard Wagner, the great German
composer, who "worshipped Lucifer cunningly
disguised as an exclusive Aryan
Christ"
Nietzsche in my view is the most important thinker, next to
Hitler in the last
thousand years. He picked up the hammer and worked to
smash the Xian icons and
break its spell on Western Civilization and fingered
the Jew as the main culprit
behind the slow decline of White civilization
with its number one weapon of
choice Xianity from which all other destructive
programs mutated. Nietzsche went
as far to declare himself Pagan in the
purest spirit and declare the need for a
return to the natural state of Aryan
Man within the West. The return to a
Pagan[Satanic] paradigm. In his work
Nietzsche documents the problem and the
solution with pure genius and tact. I
will mention Nietzsche understanding today
still transcends much current
social-biology in the major point of life as
evolution into higher life, the
will to power trumps the mere will to survival.
he returned the ancient ethos
of the Aryan culture mans transformation into
Godman. In Nietzsche's work is
the call for the regeneration of Aryan kind.
Wagner did with art what
Nietzsche did with the word.
Both men where at one point in time dear
friends and companions.
Much of Wagner's Opera's where based on an
authentic revival of Aryan culture
the Pagan Saga's and in general where
filled with anti-Christian Pagan themes,
the ideal of the Godman was a
constant.
Both these men Wagner and Nietzsche form a major foundation for
the ideals of
the National Socialist Party leaders.
"Whoever wants to
understand National Socialist Germany must know
Wagner."-Adolf
Hilter
"The Jew, he [Wagner] claimed, has no true
passion to impel him to artistic
creation. The Jewish composer, according to
Wagner, makes a confused heap of the
forms and styles of all ages and
masters. To admit a Jew into the world of art
results in pernicious
consequences. In Deutsche Kunst und Deutsche Politik,
Wagner spoke of the
"harmful influence of Jewry on the morality of the nation,"
adding that the
subversive power of Jewry stands in contrast to the German
psyche."
To
this day the Jews still hate Wagner's music on the deepest
level:
"Wagner's music had been unofficially banned in public in
Israel....
In 1981, the Israel Philharmonic Orchestra, under the baton of
Zubin Mehta,
offered an encore at the close of a subscription concert.
Commotion broke out,
with shouts from the audience aiming to silence the
music......
In July 2001, the prestigious Berlin Staatskapelle performed
the "Tristan und
Isolde" overture at the Israel Festival. While the
orchestra's condutor, Daniel
Barenboim (himself a Jew), had promised to
respect the ban on Wagner's
music...."
Wagner exposed them in his
article Jewishness in Music:
http://users.belgacom.net/wagnerlibrary ... agjuda.htm
"By
far more weighty, nay, of quite decisive weight for our inquiry, is
the
effect the Jew produces on us through his speech; and this is the
essential
point at which to sound the Jewish influence upon Music. (12) â"The
Jew speaks
the language of the nation in whose midst he dwells from
generation to
generation, but he speaks it always as an
alien......
The Jews' sense of Beholding has never been of such a kind as
to let plastic
artists arise among them: from ever have their eyes been
busied with far more
practical affairs, than beauty and the spiritual
substance of the world of
forms. We know nothing of a Jewish architect or
sculptor in our times, (17) so
far as I am aware: whether recent painters of
Jewish descent have really created
(wirklich geschaffen haben) in their art,
I must leave to connoisseurs to judge;
presumably, however, these artists
occupy no other standing toward their art,
than that of modern [87] Jewish
composers toward Musicâ"to whose plainer
investigation we now will
turn.....
Just as words and constructions are hurled together in this
jargon with wondrous
inexpressiveness, so does the Jew musician hurl together
the diverse forms and
styles of every age and every master. Packed side by
side, we find the formal
idiosyncrasies of all the schools, in motleyest
chaos. As in these productions
the sole concern is Talking at all hazards,
and not the Object which might make
that talk worth doing, so this clatter
can only be made at all inciting to the
ear by its offering at each instant a
new summons to attention, through a change
of outer expressional means. Inner
agitation, genuine passion, each finds its
own peculiar language at the
instant when, struggling for an understanding, it
girds itself for utterance:
the Jew, [93] already characterised by us in this
regard, has no true
passion..........
Nothing but that prickling unrest which we observe in
Jewish music-works from
one end to the other, saving where it makes place for
that soulless, feelingless
inertia. What issues from the Jews' attempts at
making Art, must necessarily
therefore bear the attributes of coldness and
indifference, even to triviality
and absurdity; and in the history of Modern
Music we can but class the Judaic
period as that of final unproductivity, of
stability gone to ruin.....
The Nazi Party understood and exposed the
Jewish creation and drive of the
Modern Arts movements as a weapon against
Gentiles, they exposed this fact in
their public education films.
It
was during Wagner's Opera that Hitler received his transfiguration
into
Satan's Messiah:
http://groups.yahoo.com/group/JoSNewsletter/message/172
"...
Hitler began to orate. Words burst from him like a backed-up flood
breaking
through crumbling dams. In grandiose, compelling images, he sketched
for me
his future and that of his people" (Fest, 22-23).
Thirty years later, the
boyhood friends would meet again in Bayreuth, (probably
catching an opera),
and Hitler would remark: "It began at that hour!". More
convincing evidence
of Wagner's influences can hardly be wished for after a
statement such as
this one, but more there is (Fest, 21-23).
Adolf stood before me. He took
both my hands in his and held them tight â" a
gesture that he had never yet
made. I could feel from the pressure of his hands
how moved he was. His eyes
sparkled feverishly. The words did not pour from his
lips with their usual
easiness, but burst forth harsh and passionate. I noticed
at his voice even
more than at the way in which he held my hands, how the
episode he had lived
(the performance of "Rienzi" at the Opera) had shattered
him to the
depth.
"Gradually, he began to speak more freely. The words came with more
speed. Never
before and also never since have I heard Adolf Hitler speak like
he did then, as
we stood alone under the stars as though we had been the only
two creatures on
earth.
"It is impossible for me to repeat the words
my friend uttered in that hour.
"Something quite remarkable, which I had not
noticed before, even when he spoke
to me with vehemence, struck me at that
moment: it was as though another Self
spoke through him; another Self, from
the presence of which he was as moved as I
was. In no way could one have said
of him (as it sometimes happens, in the case
of brilliant speakers) that he
was intoxicated with his own words. On the
contrary! I had the feeling that
he experienced with amazement, I would say,
that he was himself possessed by,
that which burst out of him with elemental
power. I do not allow myself a
comment on that observation. But it was a state
of ecstasy, a state of
complete trance in which, without mentioning it or the
instance involved in
it, he projected his experience of the "Rienzi" performance
into a glorious
vision upon another plane, congenial to himself. More so: the
impression he
had received from that performance was merely the external impulse
that had
prompted him to speak. Like a flood breaks through a dam which has
burst, so
rushed the words from his mouth. In sublime, irresistible images, he
unfolded
before me his own future and that of our people.
"Till then I had been
convinced that my friend wanted to become an artist, a
painter or an
architect. In that hour there was no question of such a thing. He
was
concerned with something higher, which I could not yet understand.... He
now
spoke of a mission that he was one day to receive from our people, in
order to
guide them out of slavery, to the heights of freedom.... Many years
were to pass
before I could realize what that starry hour, separated from all
earthly things,
had meant to my friend."
-August Kubizek, "The Young
Hitler I Knew"
If you look at the Nazi rallies and watch Wagnerian Opera
you can see Hitler
used one to build upon the other, a pure work of
art.
"Whoever wants to understand National Socialist Germany must know
Wagner."-Adolf
Hitler
Hitler stated he drew much of the underlying
foundation of German National
Socialism from Wagner's Opera
Parzival.
"What is celebrated is not the Christian Schopenhauerian [sic]
religion of
compassion, but pure and noble blood, blood whose purity the
brotherhood of
initiates has come together to guard. The king then suffers an
incurable
sickness, caused by his tainted blood. Then the unknowing but pure
human being
is led into temptation, either to submit to the frenzy and to the
delights of a
corrupt civilization in Klingsor's magic garden, or to join the
select band of
knights who guard the secret of life, which is pure blood
itself. All of us
suffer the sickness of miscegenated, corrupted blood. How
can we purify
ourselves and atone? Note how the compassion that leads to
knowledge applies
only to the man who is inwardly corrupt, to the man of
contradictions. And that
this compassion admits of only one outcome, to allow
the sick to die. Eternal
life, as vouch safed by the Grail, to those who are
truly pure and noble!" -
Adolf Hitler
As shown Lucifer's Sigil is the
Grail and He Satan is Lord of it:
http://groups.yahoo.com/group/JoSNewsletter/message/210
"Wagner's
line of thought is intimately familiar to me", Hitler continued
more
animatedly. "At every stage of my life I come back to him. Only a new
nobility
can bring about the new culture."
"Wagner's writings on
race would probably be considered unimportant were it not
for the influence
of his son-in-law Houston Stewart Chamberlain, who expanded on
Wagner and
Gobineau's ideas in his 1899 book The Foundations of the Nineteenth
Century,
a racialist work extolling the Aryan ideal which later strongly
influenced
Adolf Hitler's ideas on race."
Hitler shared Nietzsche and Wagner's view
on Christianity [Wagner's entire
career was anti-Christ]:
http://www.666blacksun.com/Adolf_%20Hitler.html
"Whether
it's the Old Testament or the New, or simply the sayings of Jesus, it's
all
the same old Jewish swindle. It will not make us free. A German church,
a
German Christianity is a distortion. One is either a German or a Christian.
You
cannot be both...... We don't want people to keep one eye on the
hereafter. We
need free men who know that God is in themselves."- Adolf
Hitler
"Judaism, Christianity, Bolshevism are all bound together.
Comrades in
agitation, born tools of decay, they possess the same talent to
destroy the
natural structure of society. Bolshevism is the historical and
logical
continuation of Christianity. It realizes on a technical level what
Christianity
has done on a metaphysical level."
- Adolf Hitler
A
quote about Hitler's stance on Christianity from Alfred Rosenberg
"He had
never allowed a member of the clergy to a Party meeting or to the burial
of a
member of the Party. The Judeo-Christian plague was now heading towards
its
end. He said it was downright horrifying that a religion could ever have
been
possible which literally gobbled up its God in communion."³
Link
to an original translation of Hitler's testament of Eternal Truth,
Mein
Kampf:
http://f1.grp.yahoofs.com/v1/UG0_TteITM ... HWNhQ\
9ehyY-XSpb8baqUTsyefR2YJsZ-zGRUYbugzihAWL8opNS68/MEIN%20KAMPF%20-%20ADOLF%20HITL\
ER%20%5B1933%5D.pdf
Thus
Spake Zarathustra was read and studied as part of the SS
educational
classes.
The level of influence on National Socialist
thinking Nietzsche had is self
evident in the statements of
Hitler:
"The Socialist's conception of the highest society is the lowest
in the order of
rank"- Nietzsche
Nietzsche's disgust for the Socialism
is based upon the fact it was as a whole
based on Xian principals which as he
highlighted where the war on the higher man
and the bridge to the devolution
of such into the last man. Hence National
Socialism can not be included in
this as one it did not exist at the time as a
political philosophy and two,
it was based upon the opposite paradigm one of the
superiority of nature,
race and culture and the evolution of the Volk to the
Overman. This can be
viewed in Nazism's opposition to Marxism which is built
upon the very value
systems of which Nietzsche despised in Socialism of the
period.
"It is
worth noting in this respect National-Socialism was only "Socialist" in
the
sense of rejecting capitalism's "tyranny of money" (the same "hierarchy
based
on money" which Nietzsche condemned as "unnatural") yet Nazism
definitely
condemned class conflict and the Socialist ideal of a "classless
society",
advocating instead a radically elitist and hierarchical system
based on true
superiority or `true domination' i.e. the domination of race
and personality,
the rule of the best racial and spiritual elements of
society, which would bring
about the greatness of the whole nation, not the
socialist atomistic " happiness
of individuals"â¦. -Taha
"The
Jewish doctrine of Marxism rejects the aristocratic principle of nature
and
replaces the eternal privilege of power and strength by the mass of
numbers and
their dead weight"-Adolf Hitler
"Democracy
represents the disbelief in great human beings and an elite of
society:
`everyone is equal to everyone else'"- Nietzsche
"By rejecting the
authority of the individual and replacing it by the numbers of
some momentary
mob, the parliamentary principle of majority rule sins against
the basic
aristocratic principle of nature"- Adolf Hitler
"Does this present not
belong to the mob? Mob above, mob below! What are `poor'
and `rich' today! I
unlearned this distinction! â" Nietzsche
"The Western democracy of today
is the forerunner of Marxism which without would
not be thinkable. It
provides this worldly plaque with the culture in which its
germs can spread"-
Adolf Hitler
"Justice speaks thus to me: "men are not equal". And they
should not become so,
either!"- Nietzsche
" We do not want to do away
with inequalities between men, but on the contrary,
to increase them and make
them into a principle protected by impenetrable
barriers"- Adolf
Hitler
"The state is not the highest end of manâ¦.Higher men should gain
great influence
in the state because they are allowed to consider it as a
means."- Nietzsche
"The maintenance of the military state is the last
means of all of acquiring or
maintaining the great tradition with regard to
the supreme type of man, the
strong type."- Nietzsche
"The state
represents no end, but a means to an end. Its end lies in the
development of
the race's spiritual and ideal abilities leading to the formation
of a higher
cultureâ¦.States which do not serve this are misbegotten,
monstrosities in
fact"
- Adolf Hitler
"The Masters of the earth⦠a higher kind of man
who, thanks to their superiority
in will, riches, and influence, employ
democratic Europe as their most pliant
and supple instrument for getting hold
of the destinies of the earth, so as to
work as artists upon `man' himselfâ¦.
The time is coming when politics will have
a different meaning"-
Nietzsche
"The Superman is the meaning of the earth. Let your will say:
the Superman shall
be the meaning of the earth"- Nietzsche
"â¦a peace,
supported not by the palm branches of tearful, pacifist female
mourners, but
based on the victorious sword of a master people, putting the
world into the
service of a higher culture"- Adolf Hitler
"Those who see in National
Socialism nothing more than a political movement know
... It is more even
than religion; it is the will to create mankind anew."-
Adolf
Hitler
"Man is becoming God."- Adolf Hitler
Other statements
to testify to this fact of Nietzsche's influence on
Nazi
thought:
"Christianity, growing from Jewish roots and
comprehensible only as a product of
this soil, represents the reaction
against that morality of breeding, of race,
of privilege-it is the anti-Aryan
religion par excellence: Christianity the
revaluation of all Aryan values,
the victory of Chandala values, the evangel
preached to the poor and lowly,
the collective rebellion of everything
downtrodden, wretched,
ill-constituted, under-privileged against the `race'-
undying Chandala
revenge as the religion of loveâ¦."-Nietzsche
"Judaism, Christianity,
Bolshevism are all bound together. Comrades in
agitation, born tools of
decay, they possess the same talent to destroy the
natural structure of
society. Bolshevism is the historical and logical
continuation of
Christianity. It realizes on a technical level what Christianity
has done on
a metaphysical level."
- Adolf Hitler
"Judeo-Christianity, the
greatest plague delivered by history"-Heinrich Himmler
"Paul, the Jew the
eternal Jew par excellence"- Nietzsche
"The eternal Jew an accursed
specter, a carrier of deadly infectionâ¦The Jew's
traits of character have
remained the same, whether 2000 years ago as a grain
dealer in Ostia,
speaking Roman, or whether as a flour profiteer of today,
jabbering German
with a Jewish accent. It is always the same Jew"-Adolf Hitler
The
whole disaster was only made possible by the fact that there already
existed
in the world a similar megalomania, allied to this one in race, to
wit, the
Jewish.
I call Christianity the one great curse, the one great
intrinsic depravity, the
one great instinct for revenge for which no
expedient is sufficiently poisonous,
secret, subterranean, petty â" I call it
the one immortal blemish of mankind.-
Nietzsche
"In contrast to the
noble, creative, and constructive Nordic, the Jew is
ignoble, parasitic, and
destructive"-Alfred Rosenberg
"The Jews are most fateful nation
in world history; their after-effect has
falsified mankind to such an extent
that today the Christian is able to fell
anti-Jewish without realizing he is
the ultimate consequence of the Jew"-
Nietzsche
"The Christian is
only a Jew of a `freer confession"- Nietzsche
"The Jewish people handled
the "pious fraud" or "holy lie" with such perfection,
such a degree of `good
conscience', that one cannot be sufficiently cautious
when it preaches
morality. When Jews step forward as innocence itself then the
danger is
great"- Nietzsche
"Existence impels the Jew to lie, and to lie
perpetuallyâ¦.the Jew, the great
master in lying"- Adolf Hitler
The
final aim of the Jew , his life-interest, is to make mankind
sickâ¦Jewish
hate, that most profound and sublime hateâ¦.make mankind sick and
invert the
concept `good' and `evil', `true' and `false' in a morally
dangerous and
world-calumniating sense. The history of Israel is invaluable
as a typical
history of the denaturalizing of natural values."
Nietzsche
"The Jew is a culture destroyer, for he lacks those qualities
which distinguish
the races that are creative and hence culturally
blessedâ¦.The Jews possess no
culture-creating force of any sort, since the
idealism , without which there is
no true higher development of man, is not
present in him and never was
present"-Adolf Hitler
It was, in fact,
with the Jews that the revolt of the slaves begins in the
sphere of
moralsâ¦They symbol of the fightâ¦is called `Rome against Judea, Judea
against
Rome'â¦The Romans were the strong and aristocratic; a nation stronger and
more
aristocratic has never existed in the world, have never been dreamed
ofâ¦The
Jews, conversely, were that priestly nation of resentment par
excellence,
possessed by a unique genius for popular moralsâ¦It is at least
certain that sub
hoc signo Israel, with its revenge and transvaluation of all
values, has up to
the present always triumphed again over all other ideals,
over all more
aristocratic idealsâ¦all that has been done on earth against
`the noble', `the
powerful', fades into nothing compared with what the Jews
have done against
them"- Nietzsche
"The Aryan-Semitic conflict: Rome
against Judea"-Alfred Rosenberg
And the final proof is from the
gloating Jew Eli Ravage who openly confesses all
the points Nietzsche, Wagner
and Hitler made on the subject which proves as
always the truth is
"anti-Semitic." And those Gentile called "anti-Semites" are
ONLY STATING
OPENLY WHAT THE JEWS THEMSELVES ADMIT.
Marcus Eli Ravage, a Jewish writer who
was the Rothschilds' approved biographer.
It appeared in THE CENTURY
MAGAZINE, JANUARY 1928, Vol. 115, No. 3, pp. 346-350.
But I can tell you,
you are self-deceivers. You lack either the self-knowledge
or the mettle to
face the facts squarely and own up to the truth. You resent the
Jew not
because, as some of you seem to think, he crucified Jesus but because he
gave
him birth. Your real quarrel with us is not that we have
rejected
Christianity but that we have imposed it upon you!
Your loose,
contradictory charges against us are not a patch on the blackness of
our
proved historic offense. You accuse us of stirring up revolution in
Moscow.
Suppose we admit the charge. What of it? Compared with what Paul the
Jew of
Tarsus accomplished in Rome, the Russian upheaval is a mere street
brawl.
You make much noise and fury about the undue Jewish influence in
your theaters
and movie palaces. Very good; granted your complaint is
well-founded. But what
is that compared to our staggering influence in your
churches, your schools,
your laws and your governments, and the very thoughts
you think every day?
You have not begun to appreciate the real depth of
our guilt. We are intruders.
We are disturbers. We are subverters. We have
taken your natural world, your
ideals, your destiny, and played havoc with
them. We have been at the bottom not
merely of the latest great war but of
nearly all your wars, not only of the
Russian but of every other major
revolution in your history. We have brought
discord and confusion and
frustration into your personal and public life. We are
still doing it. No one
can tell how long we shall go on doing it.
But we did not leave you
alone. We took you in hand and pulled down the
beautiful and generous
structure you had reared, and changed the whole course of
your history. We
conquered you as no empire of yours ever subjugated Africa or
Asia. And we
did it all without armies, without bullets, without blood or
turmoil, without
force of any kind. We did it solely by the irresistible might
of our spirit,
with ideas, with propaganda.
We made you the willing and unconscious
bearers of our mission to the whole
world, to the barbarous races of the
earth, to the countless unborn generations.
Without fully understanding what
we were doing to you, you became the agents at
large of our racial tradition,
carrying our gospel to the unexplored ends of the
earth.
Our tribal
customs have become the core of your moral code. Our tribal laws
have
furnished the basic groundwork of all your august constitutions and
legal
systems. Our legends and our folk tales are the sacred lore which you
croon to
your infants. Our poets have filled your hymnals and your prayer
books. Our
national history has become an indispensable part of your pastors
and priests
and scholars. Our kings, our statesmen, our prophets, our
warriors are your
heroes. Our ancient little country is your Holy Land. Our
national literature is
your Holy Bible. What our people thought and taught
has become inextricably
woven into your very speech and tradition, until no
one among you can be called
educated who is not familiar with our racial
heritage.
Jewish artisans and Jewish fishermen are your teachers and your
saints, with
countless statues carved in their image and innumerable
cathedrals raised to
their memories. A Jewish maiden is your ideal of
womanhood. A Jewish
rebel-prophet is the central figure in your religious
worship. We have pulled
down your idols, cast aside your racial inheritance,
and substituted for them
our God and our traditions. No conquest in history
can even remotely compare
with this clean sweep of our conquest over
you....."
Sources:
Fest, Joachim C.
Hitler. New York: Vintage Books, 1975
August Kubizek, "The Young Hitler I
Knew"
Nietzsche, Prophet of Nazism: The Cult Of The Superman, Abir Taha
________________________________
From: Aquarian Clown
To:
[url=mailto:[email protected]][email protected][/url]
Sent: Monday, January 7, 2013 9:34:52 AM
Subject: [JoyofSatan666] Re: Hitler's musical inspiration
Â
i feel like crying... Hitler is truly a wonderful man... he left his dream to save Germany and fight for liberty and freedom... i hope he reached his dream in another lifetime or in Duat. ... Hail Hitler!!! Hail Satan!!!
--- In mailto:JoyofSatan666%40yahoogroups.com, "H K" wrote:
Music is powerful.
Hitler's friend relating Hitlers reaction to witnessing Wagner's Opera 'Rienze'.
'Adolf stood in front of me; and now he gripped both my hands and held them tight. He had never made such a gesture before. I felt from the grasp of his hands how deeply moved he was. His eyes were feverish with excitement.
The words did not come smoothly from his mouth as they usually did, but rather erupted, hoarse and raucous. From his voice I could tell even more how much this experience had shaken him.
Gradually his speech loosened, and the words flowed more freely. Never before and never again have I heard Adolf Hitler speak as he did in that hour, as we stood there alone under the stars, as though we were the only creatures in the world.
I cannot repeat every word that my friend uttered.
I was struck by something strange, which I had never noticed before, even when he had talked to me in moments of the greatest excitement.
It was as if another being spoke out of his body, and moved him as much as it did me.
It wasn't at all a case of a speaker being carried away by his own words. On the contrary; I rather felt as though he himself listened with astonishment and emotion to what burst forth from him with elementary force.
I will not attempt to interpret this phenomenon, but it was a state of complete ecstasy and rapture, in which he transferred the character of Rienzi, without even mentioning him as a model or example, with visionary power to the plane of his own ambitions.
But it was more than a cheap adaptation. Indeed, the impact of the opera was rather a sheer external impulse which compelled him to speak.
Like flood waters breaking their dikes, his words burst forth from him. He conjured up in grandiose, inspiring pictures his own future and that of his people.
Hitherto I had been convinced that my friend wanted to become an artist, a painter, or perhaps an architect. Now this was no longer the case.
Now he aspired to something higher, which I could not yet fully grasp.
It rather surprised me, as I thought that the vocation of the artist was for him the highest, most desirable goal. But now he was talking of a mandate which, one day, he would receive from the people, to lead them out of servitude to the heights of freedom.
It was an unknown youth who spoke to me in that strange hour.
He spoke of a special mission which one day would be entrusted to him, and I, his only listener, could hardly understand what he meant.
Many years had to pass before I realized the significance of this enraptured hour for my friend.
His words were followed by silence.'
Hail Satan!
88!
Source - 'The Young Hitler I Knew' - Augu
