I asked Father Zeus some time ago how Bardon came to reveal the
information he did. His reply was "ME."
I recently found though Bardon claimed the work was his and the
teachings of the "divine providence" (the enemy), in truth, he was a
pupil of Wilhelm Quintscher who was a member of a 99 lodge (Zevist)
and invented the tepaphone. Bardon passed the teachings off as his
own. "Frabato" was a partial biography pieced together by his
secretary. Information therein was twisted and it was the Zevist
Lodge where the teachings in Initiation Into Hermetics" originated.
Bardon took the teachings and made them into RHP. I see errors in
Bardon's two other books and the beings in the Evocation book are of
the enemy from what I can see and are enemy thoughtforms. The
exercises and instructions in "Initiation Into Hermetics" are
actually Zevist and from Demons. I believe this was why Zeus led
me to this information.
Here is some more information:
"He was born in the year 1909 in Opava and worked in Germany
as variety artist called Frabato. The Prague hermetic circle
Universalia interrupted contact with Bardon because of his
behaviour. Bardon was a pupil of Wilhelm Quintscher /Rah- Omir/
and he was very skillful in astral operations. He summoned a
flash in the sunny day during a quarrel in distict Vinohrady in
Prague. This story was written also in newspapers.
He studied spagyric and homeopathic medicine in his laboratory
in Opava. For the sake of this he was arrested in the 1958
and in July 1958 he died in the Brno prison."
"And then, of course, one must not forget Franz Bardon! He is not
unknown in the English speaking world but my impression is that
though many people have heard of him, only few have taken the
trouble to actually read his books which have been available in
English for over a decade now. If they find his style execrable and
extremely turgid in translation already, it may hardly comfort them
to know that it is no better in German either. Nevertheless, Bardon,
a one time German illusionist of Czech extraction, is still
Germany's probably most commonly read magician. His dogmatic,
simplicistic approach which describes magic (in no certain terms, at
that) as a technology of "astral electro-magnetism" involving the
manipulation of the polar powers of electricity and magnetism, is
really not quite as modern as the layman tends to believe. In fact,
it was Bardon's teacher, Ra-Ohmir Quintscher, who back in the
twenties invented not only battery magic and his notorious Tepa
(sometimes erroneously termed Tepaphone), an electrical device for
long range magical manipulation involving the target persons'
photographs, but produced practically everything else as well on
which Bardon's later fame was molded.
Bardon, however, did not deign to give Quintscher his due credit, as
is so common, unfortunately, with magical authors of secondary
intellectual import. Instead, his secretary Otti Votavova presented
the situation topsy turvy by claiming, in her novel on Bardon's
life, Frabato (a classical example of devotees' kitsch), that in
fact it was Quintscher who had been Bardon's acolyte and not vice
versa. She even purported that Quintscher spent the last years of
his life in concentration camp (some of them in Bardon's company),
an insinuation bitterly denied by Quintscher's now deceased son,
with whom I had a conversation on this matter a few years ago. In
fact, according to his son, Quintscher never even visited a
concentration camp. Rather, he died in the very last hours of the
war on May 8th, 1945 in Silesia, where he was also buried. But to be
fair to Bardon, let it be known that I have it on the word of
reliable witnesses that Bardon, when he saw the *Frabato*
manuscript, was quite aghast and gave strict injunctions never to
publish it - unfortunately to little avail."
Disgusting. Typical arrogance of these assholes. He doesn't
give ANYONE their due.
Jerk!!
--- In , "High Priestess
Pythia" wrote:
I asked Father Satan some time ago how Bardon came to
reveal the
information he did. His reply was "ME."
I recently found though Bardon claimed the work was his and
the
teachings of the "divine providence" (the enemy), in truth, he
was a
pupil of Wilhelm Quintscher who was a member of a 99 lodge
(Satanic)
and invented the tepaphone. Bardon passed the teachings off
as his
own. "Frabato" was a partial biography pieced together by his
secretary. Information therein was twisted and it was the
Satanic
Lodge where the teachings in Initiation Into Hermetics"
originated.
Bardon took the teachings and made them into RHP. I see
errors in
Bardon's two other books and the beings in the Evocation
book are of
the enemy from what I can see and are enemy thoughtforms.
The
exercises and instructions in "Initiation Into Hermetics" are
actually Satanic and from Demons. I believe this was why
Satan led
me to this information.
Here is some more information:
"He was born in the year 1909 in Opava and worked in
Germany
as variety artist called Frabato. The Prague hermetic circle
Universalia interrupted contact with Bardon because of his
behaviour. Bardon was a pupil of Wilhelm Quintscher /Rah-
Omir/
and he was very skillful in astral operations. He summoned a
flash in the sunny day during a quarrel in distict Vinohrady in
Prague. This story was written also in newspapers.
He studied spagyric and homeopathic medicine in his
laboratory
in Opava. For the sake of this he was arrested in the 1958
and in July 1958 he died in the Brno prison."
"And then, of course, one must not forget Franz Bardon! He is
not
unknown in the English speaking world but my impression is
that
though many people have heard of him, only few have taken
the
trouble to actually read his books which have been available in
English for over a decade now. If they find his style execrable
and
extremely turgid in translation already, it may hardly comfort
them
to know that it is no better in German either. Nevertheless,
Bardon,
a one time German illusionist of Czech extraction, is still
Germany's probably most commonly read magician. His
dogmatic,
simplicistic approach which describes magic (in no certain
terms, at
that) as a technology of "astral electro-magnetism" involving
the
manipulation of the polar powers of electricity and magnetism,
is
really not quite as modern as the layman tends to believe. In
fact,
it was Bardon's teacher, Ra-Ohmir Quintscher, who back in the
twenties invented not only battery magic and his notorious
Tepa
(sometimes erroneously termed Tepaphone), an electrical
device for
long range magical manipulation involving the target persons'
photographs, but produced practically everything else as well
on
which Bardon's later fame was molded.
Bardon, however, did not deign to give Quintscher his due
credit, as
is so common, unfortunately, with magical authors of
secondary
intellectual import. Instead, his secretary Otti Votavova
presented
the situation topsy turvy by claiming, in her novel on Bardon's
life, Frabato (a classical example of devotees' kitsch), that in
fact it was Quintscher who had been Bardon's acolyte and not
vice
versa. She even purported that Quintscher spent the last years
of
his life in concentration camp (some of them in Bardon's
company),
an insinuation bitterly denied by Quintscher's now deceased
son,
with whom I had a conversation on this matter a few years ago.
In
fact, according to his son, Quintscher never even visited a
concentration camp. Rather, he died in the very last hours of
the
war on May 8th, 1945 in Silesia, where he was also buried. But
to be
fair to Bardon, let it be known that I have it on the word of
reliable witnesses that Bardon, when he saw the *Frabato*
manuscript, was quite aghast and gave strict injunctions never
to
publish it - unfortunately to little avail."